Women (female artists)

A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration.

A publication about twelve women artists in Tuscany and their alternative ways of making art, departing from dominant, male-centered models to embrace regenerative practices and transformative imaginaries.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Comprehensive monograph.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Photographic drift in Saint-Denis in the footsteps of the ghost of Osugi Sakae, Japanese anarchist-activist who would have held a speech there 100 years ago. A way for artists to put the urban reality of le Grand Paris under pressure.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Focusing on Lenke Rothman's unique, conceptual approach to her working materials, this publication presents selected parts of her extensive production, including paintings, drawings, installations, books, sculptures, objects and textiles.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

A lyrical portrait of Lebanon through the poetry of 60 native women authors.

An edition like an archaeology of our more or less contemporary iconography of bread. A lacunary and subjective encyclopedia that reflects its presence in our lives and its political, social, economic, and aesthetic evolutions (artist's book).

First monograph.

The diary of the Korean-born artist based in France.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

An extensive investigation on the ecosystem of Europe's largest asbestos quarry in Balangero (TO) and the dense network of relations between human and land.

The first collection of texts published in French by the Argentinian artist and poet.

An album recorded in different parts of the world, in which the Canadian composer and sound artist explores how quantum mechanics profoundly influences the perception of sound.

The first ever solo release from electronic music pioneer and innovator Laetitia Sonami, featuring a new composition especially written for her interface/instrument, the Spring Sprye, by her former teacher the legendary Éliane Radigue.

Two sides off shimmering, tense compositions—culminating as one of Alessandra Novaga's most creatively ambitious and conceptually rich outings to date—freely inspired by the life and work of the Russian director Andrej Tarkovsky and the music of Johann Sebastian Bach.

Interplay is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.