Women (female artists)

South African, Amsterdam-based artist Simnikiwe Buhlungu's most expansive publication to date.

New monograph.

First monograph.

A study of new representations and denunciation of gender violence by women in contemporary photography.

A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.

Seven exhibitions on paper, curated by different curators, to look back at the over-thirty-years production of one of Europe's foremost contemporary artists.

A personal and intimate portrayal of the Neapolitan trans community.

An artist's book published in celebration of Peles Duo's twenty years of work.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

The first album to come out of the collaboration between Jason Kahn (electronics) and Magda Mayas (piano and objects), who have been playing together regularly in concert since 2012.

2025 repress of the incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 100-page booklet.

A book-length poem by Berlin based artist and poet Natalie Häusler.

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

An archaeology of the imagination / a new aesthetic of ruin (a sophisticated artist's edition in a box, inspired by the over-exploitation of Carrara marble quarries).

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

First monograph of the Brazilian feminist artist.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

A dialogue between two avant-garde figures, one poetic, the other musical.

Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

73 images by Swedish photographer Louise Enhörning, including new works as well as some significant past pieces never before exhibited, emphasizing the concept of "lost time."

First monograph.

Retrospective monograph.

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration.

A publication about twelve women artists in Tuscany and their alternative ways of making art, departing from dominant, male-centered models to embrace regenerative practices and transformative imaginaries.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Comprehensive monograph.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.