Women (female artists)

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

Photographic essay featuring pictures of inactive TV sets: a powerful semiotic reflection on the medium and its design.

A novel on the life and times of Janis Joplin.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

An overview of Camille Laurelli's humoristic and provocative work in all its diversity: photographs, pen and felt pen drawings, prints, screenshots, commissioned texts by her mother or a fictional art critic, viral videos, ready-made, website comments, found objects…

This monograph is structured around an alphabet dedicated to the career of this pioneer of digital art. It also includes contributions from the likes of Nam June Paik and Paul Virilio, as well as an interview with Catherine Ikam and her associate Louis Fléri.

Pauline Oliveros surrounded by Belgian Ensemble Musiques Nouvelles, performing 2 long pieces for orchestra.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

Transcript of incantations poems recorded on vinyl and produced in the framework of a multimedia work on sound and geology. The poem is translated into Inupiaq, the official Inuit language of the State of Alaska, where this project was developed.

45 chapters of 45 sentences at 45 years.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

Uniting the artist with two scholars of the Medieval Mediterranean, John Lansdowne and Christopher MacEvitt, this volume illustrates the movement of objects, images, people and places between Palestine and Italy.

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

Retrospective monograph on all Beckman's video works since the 1970s.

An acoustic-phonetic approach of book's corporeality in 38 tracks.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

New monograph.

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

First monograph.

New monograph.

A notebook illustrated with photographs documenting an installation project inspired by relationships built by the artist with the local people from French region the Camargue between July 2013 and December 2015.

The birth and life of video art.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

First major publication to contextualize feminist artist Bernstein's vast oeuvre within the history of art, feminism, and the American socio-political climate of the late-20th century.

A manual / first monograph on Lara Favaretto's works comprising iconographic documentation and complementary essays by critics and specialists.

This catalogue / artist's book interconnects disciplines to reflect upon the complex role of scent as a fluid vector of identity, myth and memory, post-evolutionary science, body-synthesis, capitalism, power and branding.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

A selection of notes on Cally Spooner's forthcoming novel—shaped as a map of potential starts, plots and snippets of dialogue between possible characters.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

Botanical trajectories and symbolic dimensions of Merano's palm trees (artist's book).

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

Documenting a video installation addressing the consequences of historical sea travel.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

Conceptualized by Nina Canell and Robin Watkins, this monograph accompanies the artist's first solo exhibition in Asia and consists of ten short new texts around which fragments of communication with the authors have been punctuated by observational photographs and sculptural documentation. Contextualized by both recent and earlier works, the exhibition and book considers sculpture as a medium of storage, transmission and reception.

The complete issues of Szaflarski's self-produced journal devoted to textual practices.

100 photographs of tools on magazines to celebrate the century of the Danish constitution which gave the right to vote to women and nown-owning citizens—including farmers, servants, apprentices and journeymen in the trade and craft (artist's book).

Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

Luxembourg underground: this artist's book offers a vertical journey through the city's subsoil structure.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

A photographic documentation from a field research on folk athletic contests in male rural Finland in the beginning of the 20th century.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.