Germany

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.

Faitiche presents Groupshow's Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.

A short version of a radio play devised and produced by Jan Jelinek for German public broadcaster SWR2, bringing together twelve sound poetry collages using interview answers by public figures, from Marcel Duchamp to Lady Gaga.

Matthias Groebel's machine paintings from 1989 to 2001

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

The BOM DIA weekly planner for 2023, offering a different font designed by Studio Manuel Raeder for each month.

Conceived as a monographic reader, theis publication compiles for the first time an extensive, decade-spanning collection of Kirchenbauer's seminal and profoundly perceptive essays, the scripts of her widely celebrated moving image works in conjunction with selected video stills, as well as exhibition views.

Since 2002, Berlin based musicians Tony Buck and Magda Mayas have been developing their duo music as SPILL, recording, touring and occasionally collaborating with international guests. Having spent the last 20 years establishing their unique approach to the piano and percussion combination, SPILL celebrates this milestone with the release of their 5th album Mycelium.

The third release on Corvo Records by sound researcher and conceptualist Stefan Römer, a soundtrack for one of his experimental films as well as a new addition to his meta project "Deconceptualize".

The engaged spatial protocols of the collaborative studio for research and design Forty five degrees.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

The third album by Marsen Jules, both introspective and visionary, modest and ground-breaking, remastered by Stephan Mathieu and with a new artwork by Umor Rex's Daniel Castrejón.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces on 12" vinyl and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the theory of the image.

How Thomas Ostermeier's productions explore the links between literature and theatrical art in order to question, through a complex realism that he reinvents, what the works have to say about the political and social reality of our present.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

Previously unpublished performance of the internationally renowned dance band Selten Gehörte Musik (on this occasion: Christian Attersee, Gerhard Rühm, Oswald Wiener) at the closing event of the "Literanover" Festival at the Kunstmuseum Hannover, on November 16th, 1980. Close to two hours of very rarely heard dance music, indeed.

On textstar+ Jan Jelinek brings together the material from the CMYK series, four seminal EPs he released between 1999 and 2002 under the pseudonym Farben, on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period.

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

A journey through the sculptural work of the Franco-German artist through a series of installations in the public space.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

Released in Sub Rosas Early Electronic series, Reinhold Weber's Complete Electronic & Phonetic Works 1968-1974.

A sound collage composed from 400 hours of recordings the artists made during the 2-year renovation of their house in the Prenzlauer Berg district of Berlin. The work has been previously presented as an installation of which photos are included on 3 inserts.

A newspaper format publication by artist and curator Mathew Hale, derived from an exhibition of 24 LA and Berlin-based artists.

Art historian Raimund Stecker looks back at the ever-changing work of German artist Gregor Schneider, who has been transforming his own domestic world since his youth.

Four artist's posters.

Through Kant, Nietzsche, and Heidegger, this seminar traces the development of the relation between the will and the law as self-given.

The relation between being and acting and the principle of anarchy in the philosophy of Martin Heidegger.

The first album by Frank Bretschneider and Jan Jelinek's joint project, produced from improvised sessions on modular systems between 2016 and 2020.

The first album of Viennese bass clarinetist Susanna Gartmayer and Düsseldorf-based musician and producer Stefan Schneider (Mapstation), partly recorded at the site of Kraftwerk's old Kling Klang studio, synthesizes aspects of industrial and avant-garde music with jazz.

Peter Piller's peripheral excursions around Bremen.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

A travel diary of a handwoven poncho with the keynote of interconnectedness.

Artist book / first comprehensive monograph.

The BOM DIA weekly planner for 2022.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

A critical examination of the Studio Experimentelles Design's politically and socially committed approach, questioning the social implications of design as well as the working conditions of designers today.

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.