Germany

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

"Spuren & Gegenworte" began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several months, resulting in the completion of the four pieces on the CD.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.

Looking back at a decade of activity of the project space Kinderhook & Caracas, this compendium showcases the work of the 83 Berlin-based artists whose practices have crossed paths through the small room on Kreuzbergstraße and several off-site projects around the city.

Bom Dia's new Agenda offers a different font designed by Studio Manuel Raeder for each month. It provides you with a fun way for new beginnings and to take notes and make sketches. This years Agenda can function on a daily basis as a notebook, or be used for hanging as a wall calendar.

The first monographic overview publication of the work of Iranian artist Farkhondeh Shahroudi.

A data glitch at the beginning of 2022 was the starting point for the sound art project 60 Seconds Each, as a result of a participatory artistic process initiated by Kristof Georgen: 32 tracks by 32 international artists form a 32-minute listening experience of diverse sound positions, each within minimal "expansion".

SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only / Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism.

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.

The Darkest Corners documents and explores sculptures by Lena Marie Emrich and an eponymous exhibition.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

The third volume of the artist's book series dedicated to prehistoric cave painting mostly features photographs taken in everyday life and on trips, as well as found illustrations from scientific publications in various disciplines.

The debut release of experimental music artist Abigail Toll on Shelter Press: a compositional study using data aesthetics as a means to critically engage with the social and political mechanisms that surround us.

An artistic and literary project based on the emblematic and ambiguous plant figure of the bramble.

At a time when refugees in Europe are caught between a "return" policy and the rise of far right governments, this book combines photography and philosophy to examine the representation of refugees.

An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.

First monograph.

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.

Stefan Marx uses different media in his "Autobiography". Sketches, paintings, photographs and some texts, all carried out through the iconic style that made him a legend.

An imaginary dictionary that navigates between language and landscape, notation and noise.

In this small volume, normally-inanimate objects are brought to life by Amelie von Wulffen's paint brush, moving throughout this strange, surreal universe as if they were real people. The result is a series of darkly funny paintings that shed light on our own mundane realities.

A comprehensive overview of artist Kathrin Böhm's multifaceted, deeply collaborative, and durational practice and networks.

A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

Jan Jelinek's soundtrack for Seascape – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

The subject of this and the following books in the Spekulationen series is Peter Piller's approach to Stone Age art and its presence in his daily life. This volume presents four hundred and nine photographs found in publications on prehistoric art.

The second volume of the artist's book series dedicated to Peter Piller's field of research of prehistoric cave painting features Piller's own drawings.

An artist's book on photography, cemeteries and museum archives.

Kein Witz, No Joke combines paintings and objects by Sophie Reinhold with the "Typewritings" of Ruth Wolf-Rehfeldt. As different as the artists may be, their works share a manic perseverance, precision, and subversive humor.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

The first monograph of writing by visual artist Emma Wolf-Haugh interconnecting performative works, performance scripts and assemblage texts.

Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo's jazz-inspired approach to improvisation.

Recordings from two installations/performances by the Berlin-based sound artist that explore the physical presence of sound phenomena, by producing the impact of electronic music but with purely acoustic means.

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.

Faitiche presents Groupshow's Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.

A short version of a radio play devised and produced by Jan Jelinek for German public broadcaster SWR2, bringing together twelve sound poetry collages using interview answers by public figures, from Marcel Duchamp to Lady Gaga.

Matthias Groebel's machine paintings from 1989 to 2001

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.