China

Designed by the artist in collaboration with the graphic studio S-y-n-d-i-c-a-t, Fouad Bouchoucha's first monograph gathers a selection of his works along with four essays and an interview.

Starting with the SARS outbreak that affected Hong Kong in the spring of 2003, this publication traces the different narratives, historical backgrounds as well as the implications of these events in relation to the contemporary culture and politics of Hong Kong.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

This publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

New monograph.

New monograph (available in English edition).

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

Reference monograph, including a comprehensive selection of Yang Fudong's photographic and film work, as well as newly commissioned theoretical essays.

Monograph based on the specific project conceived by Huang Yong Ping for his exhibition at Musée d'Art Contemporain de Lyon, with numerous essays that trace the entire career of the artist, as well as an abundant iconography on the exhibition.

A tribute to Gianni Piacentino's art and to his sense of independence with works spanning 1966 to the present.

An exploration of the human back through a series of black and white images by photographer Nikita, accompanied by texts or poetic montages.

First monograph: an annotated chronology of Laurent Faulon's residencies, exhibitions and public commissions, with an essay by Pascal Beausse.

Poems by Bei Dao / iPad Drawings by Francesco Clemente, created exclusively for this book.

Artist's book: Max Küng's collection of pensive racing drivers portraits.

The documenta project reader (texts by Daniel Birnbaum, Roger M. Buergel, Raphael Gygax, Christian Höller, Catherine Wood...).

Seven seminal works by Simon Starling and Superflex in a dialogical setting.

A comprehensive documentation of some twenty-eight temporary site-specific works produced by Chinese and international artists at Arrow Factory since 2008.

A complete survey of performance arts in Latin America and Asia today.

First major monograph in French, fully illustrated, devoted to the key figure of Joseph Beuys, revealing the aesthetic ambition and political issues through a genealogy that retraces a whole part of the XXth century.

Luxurious monograph based on Huang Yong Ping's monumental installation at the Oceanographic Museum of Monaco, documenting a series of recent exhibitions, with an essay by Jessica Morgan and the transcription of a round table with many personalities around the artist.

Novel (an adaptation and transformation of the classical Chinese novel Jin Hua Yuan, or Flowers in the Mirror).

The movie.

Five road stories.

The Beijing report: a portrait of a changing situation and unique generation of cultural producers in China today.

Artist's book.

Publication bringing together a series of self-portraits inspired by the expressive vocabulary of the mask. The photographs showcase a multiplicity of feelings contradicted by paradoxical captions.

An adventurous sonic exploration of the voice, cello and electronics.

An overview of Huang Yong Ping's work since the mid-1980s, a full documentation on a series of recent exhibitions, two essays by Jean Loisy and Gilles A. Tiberghien and an interview.

This monograph is dedicated to Stelarc—the body artist known for his radical performances involving robotic prosthetics.

Curating a private collection.

This reference monograph on Ai Weiwei's work offers an overview of and an in-depth reflection on the artist's most vibrant and celebrated projects.

The main schools and illustrious figures of Contemporary Chinese Art.

A project (photographs and video stills) originated in audio and visual footage gathered on journeys to the Chinese province of Yunnan.

Two essays in which the Italian philosopher proposes a study of the concept of festivity.

A collection of texts and interviews around the artist's work.

Catalogue / first monograph of the Chinese artist (films and videos).

Chen Zhen talks to Daniel Buren, Hou Hanru, Eleonor Heartney, Emma Lavigne, Ken Lum, Enrico Lunghi, Yves Michaux, Hans-Ulrich Obrist, Jérôme Sans and Nari Ward and others who shared his adventure in art.

Conversation between six artists from six Asian countries.

Monograph on the Hong Kong filmmaker, a true aesthete of modernity.

Monograph on the Hong Kong filmmaker, a true aesthete of modernity.

Catalogue documenting one of the very first exhibitions of the Chinese artist in France, where was presented the installation Sleeping Tao. The publication includes texts by Adelina von Fürstenberg and Fulvio Salvadori, as well as an interview with Chen Zhen by Jérôme Sans.

London-based artist Faye Wei Wei’s debut monograph.

A series of recent drawings by London-based artist Faye Wei Wei.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.