China

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

London-based artist Faye Wei Wei’s debut monograph.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

The portfolio of the exhibition at the Jeu de Paume: a selection of little-known or unpublished prints from two photographic collections belonging to the French Ministry of Foreign Affairs, covering China from the 1930s to the 1950s.

A series of astonishing photographs by the Italian architect and designer, discovering China at the end of the Cultural Revolution, between millenary traditions, openness to the world and forced modernization.

A retrospective of the performances, photographs, installations and videos of the avant-garde collective that disrupted the Chinese cultural scene in the 1990s.

A collection of poems by Chinese artist Tong Yi Xin.

As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

New monograph.

The little-known history of a major cultural encounter: a study of the reception of Chinese painting in the West and its artistic resonances, which underwent profound changes between the 19th century and the 1930s.

In 2015, Ukrainian photographer Sergey Melnichenko lives in China. He works there as a dancer. 247 polaroids taken in China by Sergey Melnitchenko is the story in pictures of thirty months of Chinese life.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

A split LP featuring two complementary experimental sound performances.

A tiny collection of three short stories by Chinese author Can Xue that immerse readers in a world where reality and absurdity collide.

A collaboration between artists Musquiqui Chihying (Taipei, Taiwan/Berlin) and Gregor Kasper (Berlin) together with rapper Elom 20ce (Lomé, Togo).

Fragments of the total poetry of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance.

99 photo-poems by the Franco-Chinese poet, performer and artist, an emblematic figure of Chinese artistic and cultural resistance.

Fragments of the total poetry and photo-poems of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance. The limted edition gathers the two volumes (Episode 1 and 2), numbered from 1 to 20, with an original signed artwork inserted in each of them, constituting a dyptic.

This publication is the outcome of a touring assembly platform bringing together writers, curators, and art practitioners to reflect on exhibition practices and histories in China and Southeast Asia.

The Conclusive Scene - Mao Zedong's Last Meeting with the Red Guards, 28 June 1968 includes the first complete English translation of the Chinese Cultural Revolution document "Conversation in a Meeting with the Responsible Persons of the Capital Red Guards."

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

An overview of video art production from the Pearl River Delta in China: having emerged in the mid-1980s, this vital yet under-represented art scene is thoroughly documented in this richly illustrated catalogue (460 ill.) which features works by nearly sixty artists (catalogue of the inaugural exhibition at Times Art Center Berlin).

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

An immersion in Zao Wou-Ki's works on paper, Chinese ink and watercolors, covering 60 years of creation.

Monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a conversation between Gea Politi and the artist.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

A trilogy on the artistic development in Asia from 1998 to 2018.

The artistic development in China from 1998 to 2018.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

The fourth issue of Art Against Art is looking at the change in temperature that has occured since last fall and the challenges art faces such as the rise in nativism in the West, the naissance of the influence of A.I. in art and the growing influence of the Chinese art market.

This first English monograph on the work of Zhao Zhao examines the Chinese artist's working practice, emblematic for art's ability to address conflict—social, political, and aesthetic—in a world undergoing unprecedented upheaval. It features essays by Hou Hanru and Li Zhenhua.

Somewhere in between a magazine issue, an artist's book and a research report, this Kaleidoscope Asia Special edition with guest-editor Simon Denny revolves around a new project by the New Zealand artist set in the Chinese city of Shenzhen.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

Penghu Experimental Sound Studio Vol.2 uses interviews, field recordings, found objects and subtle electronic manipulation to transpose Yannick Dauby's impressions of Penghu island's natural beauty.

Marxist geographer David Harvey opened his 2016 lecture at Harvard with a fact: between 2011 and 2013 China consumed 50 percent more cement than the United States had in the entire twentieth century. In Abstract from the Concrete, he asks why.

Fully Fueled brings together pictures taken from 2012 to 2014 documenting the life of Emiratis through the lense of cars.

A case study about concept cars and former modernist memories (artist's book).

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

New monograph.

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.