United Kingdom

The first release of celebrated London-based Canadian composer Cassandra Miller's music on vinyl, presents a pair of compositions for voice and ensemble that exemplify her gently absurd, strikingly beautiful, and utterly unique work.

A true homage to the low end: six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass, silky smooth, luxurious, odd and compelling.

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

The restored and remastered vinyl reissue of a sound performance by American writer Kathy Acker and French noise/experimental band Nox, published in 1987, with a poster and a previously unpublished set of documents, letters, texts and photos.

A story of love, lust and parenthood, born beneath a series of thunderstorms (the script by the acclaimed Welsh film director and screenwriter Peter Greenaway).

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

A conversation between Eva Wilson and the 2022 Frieze Artist Award Abbas Zahedi, around the core concepts of "translation and transplantation".

A comprehensive overview of artist Kathrin Böhm's multifaceted, deeply collaborative, and durational practice and networks.

The first book to bring together Dan Mitchell's complete posters and flyers.

First monograph in French: from Rod Stewart to the Industrial Revolution, Art is Magic collates all of acclaimed artist Jeremy Deller's cultural touchstones into one lovingly curated volume, balancing these artistic inspirations with examples of Deller's visionary work.

Never released before recordings by the improvising quartet Alterations (active from 1977 to 1986, and reforming in 2015) from Logos Foundation live sessions at Logos Foundation, Gent, Belgium on January 3, 1981.

The Dedalus Ensemble revisits the three pioneering works of ambient music.

This catalogue accompanies the eponymous Turner Prize winner's extensive solo exhibition at the Schirn Kunsthalle Frankfurt, presenting both new works and works shown in Germany for the first time.

The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with "Modern Sorrow", with a radical but deeply sensitive reduction of contemporary pop production.

The concrete, electronic sounds of the Langham Research Centre (here Iain Chambers and Robert Worby) combine with the acoustic qualities of John Butcher's saxophone in an extended improvisation session.

Persistence of Sound celebrates the British composer Richard Orton (1940-2013) with a selection of electroacoustic and computer music from across his career.

The posthumous album of naturalist field recordings from The London Sound Survey: a sound-journey through the dark in East Anglia, roaming across the counties of Norfolk and Suffolk to places whose sounds have a precarious existence outside the crowded realities of modern everyday life.

An album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow, that testifies to his art of collective experimentation.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

This reference monograph, revisiting the conceptual and sensorial developments pursued by the artist since the 1970s, with a layout by graphic designer Zak Kyes under the artistic direction of Marc Camille Chaimowicz and Anna Clifford, includes a key text authored by Marie Canet.

Reference monograph (also available in English edition).

The 1982 debut album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner is a series of musical vignettes, blending processed guitars, sheets of synthesizers, echoey pianos, and washed-out vocal snippets to surprisingly varied effect, like the score of an unrealized arthouse film.

The second album of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner, originally released in 1983 on their own imprint, Papier Maché, full of meandering guitar, technically tighter and more refined, and with a more ominous tone, than the debut Silence & Wisdom.

First monograph.

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

An account of an album about Albania by British experimental musicians made in the eighties. Also involving stories about the Albanian Society, William Bland, A. L. lloyd, RCPB ML, and Cornelius Cardew.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces on 12" vinyl and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

Part of the Arbitrary's Framework editions, Delirious Cartographies by composer, improviser and synthesist Richard Scott includes three pieces and six printed drawings—as well as a text by Scott—published as a limited edition portfolio folder.

The analysis, history and reception of the Canterbury music scene between the late 1960s and early 1970s.

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

Persistence of Sound presents a new album from one of British sound art's most original voices.

Fulton and Höpfner's long-term correspondence on art, landscape, and the aesthetic and political dimensions of walking.

The second chapter of the post-isolationist, deep ambient & folk classic Murder Ballads by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

Very cheap non-human animal imitations amicably mimics the wonderful presentations of songs from birds and other protagonists of the animal world, made available by the ornithologist and publisher Jean-Claude Roché in the 1980s.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

A tribute to Cecil Taylor's Akisakila, re-imagined & arranged by Pat Thomas piano & XT: Paul Abbott (drums, synthetic sounds) and Seymour Wright (actual & potential saxophone).

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

Originally released in 2005 on Mike Cooper's Hipshot Cd-r label, and reissued here for the first time on vinyl, Spirit Songs deserves to be regarded as a true rediscovered gem, remixed and remastered by Cooper himself.

The new full-length record from the duo of Glasgow-based artists Feronia Wennborg and Simon Weins, examining microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback.

Oceans Of Milk And Treacle is a soundtrack for an otherwise silent film. The title of the album, and of course the film, is borrowed from Mike Cooper's late friend Fred Hardy's book The Religious Culture of India – Power, Love and Wisdom, considered to be one of the most important books on the subject.

An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond.

Dedicated to John Latham's heterogeneous and paradoxical practice, this book highlights the artist's contradictory relationship with knowledge and language, through a selection of translated texts and images of some of his projects, all articulated around a glossary.