United Kingdom

Original soundtrack of the eponymous “musicfilmdream”, in collaboration with video artist Makino Takashi. Created in tribute to late filmmaker Derek Jarman, this musical score was influenced by the early electronic recordings of pioneers like Terry Riley and Morton Feldman. The two artists first presented this work during the 2016 BFI London Film Festival.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

Catalogue documenting a video installation in which the British artist pursues her investigation on the translation of elusive, natural phenomena into formal language. Structured rhythmically around the pattern of a foghorn sounding, Grey Light finds its origins in the notion of the foghorn as an auditory marker for opacity.

British artist Monica Ross (1950-2013) left behind forty years of socially engaged, feminist, and performative artwork, which has had a deep effect on contemporary art and society. This fully illustrated publication documents Ross's works from 1970 to 2013.

A remarkably well-documented and detailed book on designer Richard Hollis's graphic work for London's Whitechapel Gallery, from the late 1960s to the mid-1980s.

The book contains largely unseen photos from Jamie McLeod's 20-year-old archive, working with Almond as his muse, patron and friend.

Influential musician Andrew Liles releases a dark and fantastic literary work relating to childhood and sufferings, illustrated with six images and a sound piece.

Artist's book accompanying a sequence of exhibitions by James Richards in Norway, England, and Germany. The publication contains a series of visual essays by the artist, documentation of recent exhibitions, as well as essays by Dan Fox, Ed Atkins, Steve Reinke, Chris McCormack, and Fatima Hellberg.

Part fact, part fiction, this collaborative artist's novel is set in the curious town of Kalimpong, India, where past meets present in a multi-layered tale of espionage and the esoteric.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

3 tales of childhood and disappearance by William Wordsworth, accompanied by the primitive and free metal music of French duo Talweg.

The script for Joseph, the new film by Peter Greenaway, an ironic portrayal of the figure of Joseph, father of Jesus. Here, God—“the other father”—becomes, in Greenaway's words, “vulnerable to jealousy… since he has a rival on earth.”

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

With this essay on Black British artists from 1970 onward, Sophie Orlando explores their influences on the Western contemporary art and introduces readers to an important, long-marginalized movement, recontextualizing it with groundbreaking scholarship.

Road Back To Relevance gives insight into the last decade of Dan Rees's practice. It brings together groups of works—paintings, videos, installations, and photography—that have never before been viewed simultaneously, and reveals the complex nature of the artist's research.

A significant intervention into recent debates on the place of literature and writing in the context of contemporary art. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now.

In specially commissioned essays, as well as interviews, archival material, and new texts by the artist, this first monograph addresses the in-depth investigation of Plender's research and artwork into educational models and their relation to social organization.

First monograph.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

A selection of notes on Cally Spooner's forthcoming novel—shaped as a map of potential starts, plots and snippets of dialogue between possible characters.

Combining the artist's early works and the most recent series inspired by van Gogh's oeuvre, this monograph underlines the variety of Brown's practice as well as his exceptional way of interpreting and appropriating the Old Masters.

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

From image to object: ten essays on English Pop Art and the New Brutalism in architecture.

The new impact of corporations on both the state and the market as the new paradigm of neoliberalism.

Special Beatles Studies issue.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.

Since 1993 Victor Burgin has produced projection works, in video or digital form. These works, like all his production since the early 1970s, include a substantial textual component which this book offers for appreciation independently of the images.

Essays about the work of Victor Burgin.

On the occasion of the republication of eight texts by Charles-Louis Philippe (1874-1909), Nurse With Wound (here, Steven Stapleton & Brian Conniffe) wrote "Music for Miscellaneous: A Piece of the Sky Is Missing", an unreleased mini CD included in the book.

Released in parallel of an exhibition at Kunstverein München, this USB card gathers a collection of electronic works by Dexter Sinister produced from 2008 to 2015.

British novelist Tom McCarthy questions the specific obsession with time in modern and contemporary literature, examining the works of Thomas Pynchon, J. G. Ballard, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce, and William Faulkner. The essay is followed by a conversation with the author in which he discusses his own practice of writing.

Major monograph on Phillip King, whose work has been essential in the revival of British sculpture in the early 1960s through experiments with abstraction, construction and color. This book gathers various texts and an interview, exhibition views, and a complete illustrated chronology over 300 pages.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

Richard Wentworth plays the Drawing Room Confessions.

An unpublished novel by one of the great figures of Land art.

Le Jardin hospitalier documents Jyll Bradley's eponymous site-specific artwork produced in April 2015 under the auspices of the Fondation de France's New Patrons program, at Hospital Roger Salengro in Lille, France. The artist has transformed a 100m long, window-less corridor into an immersive installation—a promenade—with black-lit photographs, literary texts and tactile sculptural elements

An ambiguous portrait and evocative rendition of Clive Entwistle's life, the artist's grandfather and architect. Halfway between biography and monograph, this publication reaches beyond these genres to resemble an artist's book of poetry and prose fiction.

Designed on the basis of a contemporary Baedeker, this book offers an original itinerary in the historic center of the city of Genoa. It is a city-guide that links different places and times, and that also moves from the habit of moving, investigated as a typical phenomenon of the Grand Tour—and that is the origin of the term “tourism”.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

Comprehensive monograph: a broad selection of Josephine Pryde's work from 1990 to 2014.

An essential publication that allows to reevaluate the importance and impact of the work of the pioneering English group Art & Language, and the emergence of Conceptual art in the early 1970s.

Reference monograph of one of the most influential modernist filmmaker in British cinema, with twenty texts by Malcolm Le Grice and commissioned essays by Yann Beauvais and Philippe Langlois on his cinema and its relationship with art and music.

More than a decade after his first work as Manyfingers, Chris Cole returns with The Spectacular Nowhere, with which he confirms his status as an atypical composer, able to marry references and genres, to offer a singular work of pop, classical, and experimental music.

More than a decade after his first work as Manyfingers, Chris Cole returns with The Spectacular Nowhere, with which he confirms his status as an atypical composer, able to marry references and genres, to offer a singular work of pop, classical, and experimental music.

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

A survey of the Scottish painter's most recent body of work.