United States

A special summer edition dedicated to American artist Sterling Ruby—also guest editor.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

A collection of 70 penis drawings inspired by the borough of Manhattan. Made in one day in 1978, this early work forms a singular, ecclectic and playful guided tour of the city—including drawings and series such as Phallic buildings form 7th Ave., Drawing Penises in front of Tiffanys, Penis with doors – Carnegie music hall, The best place to draw penises, Self portrait at home…

Ten years of ceramic work by an important figure among post-war artists.

The book documents a mixed-media installation by Sam Falls where the artist explores ways of faithfully representing time and understanding it through art. For Falls, time is elusive and the future is “filled with meaning” only when it becomes “now”. The present, divided between past and future, has the optimism of production and the melancholy of aging.

A collection of unpublished or rare texts by architect and theoretician Frederick Kiesler written between 1927 and 1957.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

An audio recording of the American artist performing a German folk song while masturbating.

Collection of portraits published between 1938 and 1955 in the New Yorker by one of the pioneer of New Journalism: a literary painting of a New York that no longer exists.

35 year anniversary issue featuring interviews with Ryan Trecartin, Shezad Dawood, Sadie Benning, Wendy Ewald, Trevor Paglen & Jacob Appelbaum, Ivan Vladislavić, Álvaro Enrigue, Christopher Sorrentino, Vijay Iyer, Yorgos Lanthimos, artists on artists' section with Naufus Ramírez Figueroa by Regina José Galindo and Anna K.E. by Corrine Fitzpatrick, literary fictions by Alexander Kluge and Gerhard Richter, Kate Zambreno, Domenick Ammirati, poetry by Joan Retallack, John Ashbery, Eugene Ostashevsky, Daniel Poppick, exhibitions and books' reviews...

Cut-up, lectures, incantations, soundworks recorded by the American writer himself in hotel rooms in Paris, London & New York, in the early 1960s (one of Sub Rosa's absolute classics, officially re-released).

An historical account of Ben Kinmont's bookstore, from the structure's origin, the events and publications it has generated. Kinmont also demonstrates how this activity has contributed to his independence as an artist vis-à-vis the commercial art circuit.

An electroacoustic meditation on memories and on the persistence of the aura in a particular place, inspired by Thomas Mann's The Magic Mountain.

Fifty verses by New-York musician Moondog.

A solar music by Joe Jones, performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

An electrical poem by Charles Plymell first published in 1966 in Lawrence Ferlinghetti's City Lights Journal, with a CD on which Bill Nace plays a music inspired by his own reading of Apocalypse Rose.

Catalogue.

The first monograph dedicated to Landon Metz retraces the American artist's distinct practice examining four exhibitions from the past two years.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

The present portfolio is a sampler of some various structural beam combinations from 20th Century edifices. It can be viewed as a book, spread by spread, or pinned on the wall, according to taste, the way a kid might stack up building blocks.

A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.

Issue 22 of Palais magazine is entirely devoted to the Ugo Rondinone's exhibition “I Love John Giorno” at the Palais de Tokyo (October 21, 2015 - January 10, 2016), the first retrospective of the life and work of the American poet John Giorno, a key figure of America's counterculture since the 1960s.

The publication brings together extensive material from Hamlet, mise-en-scène, an homage to Jack Smith presented at Portikus in 2012, along with recently restored and never-published stills, drawings, and writings by the American filmmaker related to his film Hamlet in the Rented World (A Fragment) (1970-73).

An extensive publication, documenting the process and final outcome of Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model, a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification.

Mario Bellini and his “Kar-a-sutra” space-mobile take a wild photographic ride in America during the seventies.

An artist's book presenting the many aspects of Susan Cianciolo's artworks.

Mirror Landscape weaves together a rich documentation on the design, construction and installation of Two Way Mirror / Hedge Arabesque, the pavilion created by Dan Graham for the sixth edition of “All'Aperto” (Outdoors)—the art event organized by the Fondazione Zegna and curated by Andrea Zegna and Barbara Casavecchia—with a wider overview on the relationship between artwork, viewer and landscape, which runs through the entire production of the artist.

The first major survey of Barbara Kasten's work, this publication includes a biography of the artist, a conversation between Kasten and artist Liz Deschenes, and new scholarly essays by curator Alex Klein, and art historians Alex Kitnick and Jenni Sorkin.

Artist's book.

First monograph / artist's book.

Artist's book (drawings).

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

First vinyl release of a classic from Sub Rosa's catalogue.

The first monograph and visual survey to explore the singular odyssey of John Severson, who revolutionized pop culture's vision of surfing and surf culture through his prolific artistic output that transverses decades and disciplines, through ephemera, painting, photography, film, and publishing.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

Artist's book by the avant-garde designer Susan Cianciolo.

New monograph.

Artist's book.

4 leporellos in slipcase: an artist's book that brings together for the first time, as individual leporellos, the four long drawings Saul Steinberg produced for the Children's Labyrinth at the Milan Triennale in 1954.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

MacLise's early electronic music.

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.