United States

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

An in-depth exploration of the work and destiny of Ana Mendieta (1948-1985), with numerous illustrations and previously unpublished contributions.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

Where Ben Vida's music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song.

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

A retrospective devoted to Jonas Mekas's 70-year activity within and beyond the history of avant-garde cinema.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

This book commemorates the long collaboration between couturier Azzedine Alaïa and photographer Arthur Elgort, who, working together, shaped the 1980s and actively contributed to the renewal of the representation of women.

An evocative chronicle of the Lower East Side's halcyon days, from Giovan's archives.

A gestural abstract painter reflects on his near-death experience with Covid

An art book by musician and artist Loren Connors, exploring his pictural practice.

A large book-object of scores by artist and composer Philip Corner, including a numbered art print and a supplemental audio download which features recordings of many scores from the book, played on a variety of instruments by 10 musicians (limited edition of 100 hand-numbered copies).

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

Pauline Oliveros' first solo recording, available on LP for the first time since it was originally released in 1982.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

A survey of Louise Nevelson's research on collage.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

This zine gathers several photos, collages and drawings of Barry Mc Gee. He created a unique visual language, composed of geometrical patterns and recurring symbols.

An unprecedented insight into Louise Bourgeois' art by Jenny Holzer.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

Lily Van der Stokker's illustrated autobiography of her life in New York in the 1980s, when she opened a gallery in the East Village.

Don Cherry's ecstatic world fusion masterpiece of the '70s, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations.

Reissue of a milestone of ambient music, produced and released by Brian Eno in 1978, featuring Marion Brown, Gavin Bryars, and Michael Nyman.

Beautiful reissue of the 2000 album on FBWL, guitar ballads about Day, Evening, Night and Dawn, a major album in the discography of Loren Connors, which he considers his most personal record. Remastered in 2014 by Taylor Deupree at 12k.

A photographic dive into the avant-garde of a New York at the height of its decadence and cultural importance.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.

Don Cherry’s New Researches featuring Naná Vasconcelos.

Don Cherry's lost Summer House Sessions finally available over fifty years after they were recorded.

Artist's book.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Retrospective monograph.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (new softcover edition).

David Shea's The Thousand Buddha Caves explores his deep and continuous interest in the nexus of eastern and western musical forms. The recording charts his life long fascination with the caves and their connection to sound, ritual and Buddhist teachings. The record transposes those interests and is an evocation to the mythologies spinning forth from the caves.

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.