France

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A retrospective monograph, La Gricole et ses dérives brings together fifty years (1970-2020) of Daniel Nadaud's pathways, loops, advances, drawings, sculptures, installations and notebooks, shaped by the presence of the agricultural world, by history and fragments of childhood.

An erudite investigation into the enigma of Marcel Duchamp's great testamentary work Étant donnés, an installation conceived for twenty years in the greatest secrecy before being unveiled to the public a year after the death of the inventor of the readymade, which gives the viewer new keys to interpretation, by examining both what the work concludes and what it opens.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

Philosopher Éric Alliez rethinks Marcel Duchamp's legacy in relation to contemporary art and the image, psychoanalysis and gender.

In 132 fragments, Malo suivie publishes the desire of a man, the viewer-perceiver, for a woman known as Malo, formulating the lack and the attraction by means of the sketch.

A book of poems by the composer of musique concrète.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

A series of drawings by Valérie du Chéné inspired by press articles, to which Arlette Farge's texts respond.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

A collective work resulting from an exhibition of Dominique De Beir at the ADAC Amiens which explores the notion of piercing, digging the matter.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

The contributors of this book invite readers into a cultural journey at the crossroad of multiple disciplines, allowing them to rediscover the history of this administration from a sensible, intimate point of view.

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

A body of fragmented images and views that draw their iconography from public spaces or from motifs specific to modernity.

A dialogue between the saxophone and the viola.

A "football-oratorio" that replays the 2006 World Cup final match between France and Italy.

Unpublished and outstanding archival recordings by electroacoustic music pioneer Luc Ferrari: a piece in three acts composed in 1989 for contemporary dance, choreographed by Anne-Marie Reynaud.

The music on this long-awaited solo vinyl album by legendary tape artist Jérome Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones.

Far from modernity: the first overview of the French photographer famed for his portraits of marginal cultures, in acclaimed photobooks such as Surfers and Yes Rasta.

Unseen images of the Great Depression from the famed chronicler of the African diaspora.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

An exploration in thirteen chapters of the question of the name, in a poetic ensemble crossed by childhood, memory, and the obsession of the return.

Reissue of the cult punk book by the transgender artist (filmmaker, musician, poet, writer...) Ossang, written in 1980 and first published in 1993, now impossible to find.

The various dimensions of the landscape—mental, cultural and ideological, real and pictorial—in the emblematic works of Poussin, Le Lorrain, Bourdon and their contemporaries of the 17th century.

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

Meditations on cinema and method.

Meditations on cinema and method.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

By photographing his sister Julia's adolescence over a decade, Antoine Seiter bears witness to the language that a face can develop by constantly raising the question of portraiture. Julia's story is interrupted by that of young Achilles, the hero of Marc Faysse's novel. Parallel to the photographic work in the theme of the passage to adulthood, the story is a homosexual love story that brings emancipation.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

A filmed interview with the pianist, composer and teacher Émile Naoumoff, conducted by Nathalie Guilbaud, with a booklet gathering the testimonies of some of his former students.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A gallery of portraits of a hundred artists and music activists taken in Philippe Levy's Parisian apartment, turned into a studio, each guest choosing (and reviewing) a record from the photographer's vast personal record library for the shoot.

A retrospective of the "retinal" painter's work, since the early 1980s.

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

Autobiography by Thomas Hirschhorn is a visual autobiography that through some selected images, narrates the story of the life and career of the artist.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.