France

A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.

The top 100 contemporary artists in the playful and regressive form of a sticker album, modeled on the Panini albums.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.

Rachel Valinsky invites seven artists from both sides of the Atlantic (Davide Balula, Eva Barto, Julie Béna, Jesse Chun, Jean-Pascal Flavien, Gordon Hall, and Alan Reid) to share their views of Guy de Cointet (1934-1983), a major figure in the conceptual and performance art movements.

A book of poetic texts by the performance artist, choreographer, musician and writer.

This latest book—part of a ten-volume series that began with Léman in 1990—takes up and redistributes the elements of an investigation whose main material is autobiographical. The author restores an imaginary "childhood" that he writes about in a poetic attempt to understand it, and never ceases to "become".

Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

A collection of poems generated between 2020 and 2022 by an Artificial Intelligence trained exclusively on poet Charles Bernstein's entire corpus.

This monograph, taking a thematic approach that brings together both words and objects, aims to highlight the extreme inventiveness of Gaston Chaissac.

A piece for saxophones and electronics, performed live by Kasper T. Toeplitz (real time electronics) and Bertrand Gauguet (alto & baritone saxophones).

The first monograph devoted to the piano works of composer, pianist and improviser Frédéric Lagnau (1967-2010), whose music, with its communicative energy, offers a personal and poetic approach to minimalism. Sensitivity to sound, harmonic beauty and rhythmic intensity are its hallmarks.

The new alchemical collaboration between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

A 62' minute piece composed between 2015 and 2019, published for the first time on CD digipak.

Reference monograph.

Reference monograph.

Reference monograph (also available in English edition).

Reference monograph (also available in English edition).

An artist's book by experimental poet Philippe Jaffeux that plays with images, letters and layout in the spirit of Lettrism.

A photo report in an photo lab (artist's book).

Percussion by Paris-based Japanese improviser Seijiro Murayama and field recordings by sound artist Éric La Casa, "small, simple gestures" on the threshold of the musical, a low-key presence, listening to inhabited spaces.

A text by the painter, writer and poet, begun in 1959 as a student and finalized half a century later.

Research and creations by a collective of academics and artists on perceptions and practices related to the Romanche river in Isère (France), in a context of massive landscape transformation.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

The artist record Call and Response brings together pieces created in connection with performances and exhibitions by Jimmy Robert, including a booklet wrapped around the record.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

The third studio album from the Frenchmen Pointe du Lac offers a deep, catchy and classy dive into kosmische, electronica and jazz.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

A poetic text on the influence of suffering and illness on the act of writing.

Reissue of a book of poetry from 1984—perhaps F.J. Ossang's most incandescent poetic period—that never saw the light of day.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Comprehensive monograph.

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

23 photographs of chicanes taken between 2013 and 2016 on the roads leading to the Notre-Dame-des-Landes ZAD, France (with an interview with philosopher Marie José Mondzain).

A retrospective of Georges Rousse's "circles."

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

Four artist's posters.

The first major book by the Lisbon-based French artist Mattia Denisse.

A dialogue between Camille Henrot's images and Estelle Hoy's texts, a visual and verbal exploration of melancholy, failure, injustice, and hope.

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

A mysterious hybrid manuscript ("rediscovered", edited and presented by Alessandro De Francesco) whose prose, oscillating between poetry, philosophy and conceptual art, ingenuously explores the great unresolved questions of humanity and nature.

A visual attempt to index photographic images.