Art & new technologies / digital art / interactive art / net art / media art / AI

The first monograph dedicated to Tobias Madison's work, including a newly commissioned text by John Beeson, and two conversations with the artist.

Closer to a teen magazine than a classic publication, this catalogue / artist's book by one of the most influential artists of the new media generation features a series of essays by international curators and artists, and exhibition views, alongside elements typical of publications targeting a young audience, such as posters and stickers.

Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell'Informatica Funzionante (Working IT museum); articles on Artworks & defunct software, embracing social life & forgetfulness, sound reconfigurations, reports on Bio-Fiction 2014, Transmediale 2015, Sonic Acts 2015, Accès)s( #14, records and books reviews...

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

Both an exhibition catalogue, a retrospective of thirty years of graphic research, and an experimental hybrid publication that provides the reader with a graphic and sensorial universe by experimenting with enhanced reality devices with the body.

Both an exhibition catalogue, a retrospective of thirty years of graphic research, and an experimental hybrid publication that provides the reader with a graphic and sensorial universe by experimenting with enhanced reality devices with the body.

First monograph.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

Artist's book.

Artist Bill Vorn creates robotics as part of his research on artificial life and machine anthropomorphism. This catalogue, intended to be a robograhpy of the artist, attempts to understand, if perhaps not the phenomenon, then at least Bill Vorn's innovative approach to it (with contributions by Ian Fenelon and Jean-Paul Fourmentraux).

A series of images of the urban United States based on 3D screenshots taken from Apple Maps, by Regula Bochsler.

This artist's book provides with a series of URL links—all leading to selected articles and posts. A labyrinthine and experimental narrative existing in three formats. This is the book version.

The most monumental auto-creative work ever made by Gustav Metzger (catalogue of the exhibition at MAC Lyon, with numerous archive documents, newly commissioned texts and a conversation with the artist).

Jean Dupuy's anagrams, from the 1970's to the present day (artist's book): 160 series of works accompanied by the artist's notes, with texts by Arnaud Labelle-Rojoux and Emmanuelle Lequeux.

The genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

The shifting and troubled relationship of artwork and audience in network culture.

Ten discussions based on the opening picnic scene of Charles and Ray Eames's film Powers of Ten used as score.

Technological imaginary to the test of art.

An overview of American minimalist composer, filmmaker and video artist Phill Niblock's work since the 60's, through about twenty essays and interviews by musicologists, art critics and historians, various documents, scores, and more than 8 hours of videos on DVDs.

First comprehensive monograph dedicated to the Japanese artist's fog sculptures: a luxurious box set gathering an annotated catalogue of Nakaya's Fog Works created for public spaces all over the world (as well as her video works and paintings), a video DVD and an interactive DVD-ROM.

Seven seminal works by Simon Starling and Superflex in a dialogical setting.

Catalogue documenting a unique installation born from the colllaboration of two major artists of the twentieth century.

This publication offers contemporary and historical overviews of international digital creation.

Different readings and interpretations of French choreographer Myriam Gourfink's work.

This monograph is derived from a lecture given in 2009 at the Royal Academy of Fine Arts in Brussels. ORLAN takes a retrospective look at her career and brings forward themes explored in her work, such as hybridization and the female body in art.

How the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation.

The anthology of the founder of the concrete poetry movement in Brazil.

Limited edition of the anthology, with an original signed silkscreen.

The extended new edition of the out-of-print publication of the same name, from the year 1996, appears on the occasion of the death of Friedrich Kittler. Along with an introduction, it contains an extensive and unabridged interview with Stefan Banz and Kittler's unusual text Skiagraphia, die Schattenschrift (the shadowed text) from 2005.

An investigation into Eduardo Kac's practice in 50 questions asked by digital art historian Dominique Moulon.

The design, actual production, and issues of a hybrid piece of public art mixing virtual and real worlds, conceived by artist Miguel Chevalier and architect-designer Charles Bové.

Artists' book.

Reference monograph: an overview of the unclassifiable work of an entrepreneurial artist who, by appropriating the symbolic network of a former electric power company, turned it into his research territory and the very matter of his activity, through twenty texts and interviews and some 700 photographs and illustrations.

Monograph based on an ambitious project that revisits forty years of Californian post-conceptual artist's work, between symbolism of representation and exploration of the subconscious under hypnosis, with two essays and an interview.

Poor Man's Expression examines the relationship between film, video, technology, and art, with a particular focus on the reciprocal influences between conceptual art and experimental film.

A collection of texts on the history of computing and its influence on science, in particular as a simulation tool.

The relations between youth culture, digital practices, and media industries with the example of electro dances and Tecktonik phenomenon.

French translation of Manovich's major book The Language of New Media, the first systematic and rigorous theory of new media.

A contemporary dictionary of food and everyday objects symbolism through 49 stories and 49 still lifes.

A collection of texts examining issues and practices of documentation in contemporary visual arts.

The first monographic book of the Belgium interdisciplinary art studio for architecture and urbanism LAb[au].

Net Pioneers 1.0 discusses media art history with a new, interdisciplinary look at the historical, social, and economic dynamics of our contemporary, networked society.

A series of wall drawings traced by a machine: a project between art, design, and engineering.

Artist and poet Eduardo Kac is internationally recognized for his interactive works on internet and for his practice of bio art. This catalogue dedicated to this singular artist features contributions by an art critic (Eleonor Heartney), a leader of the contemporary American novel (Steve Tomasula) and a French sociologist and philosopher (Pierre -Henri Jeudy). An interview with Eduardo Kac by Hugues Marchal concludes the volume.

This monograph is dedicated to Stelarc—the body artist known for his radical performances involving robotic prosthetics.

Reference monograph on the French artist.

A set of photographs and texts / a large original photograph.