Art & new technologies / digital art / interactive art / net art / media art / AI

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Connectivity and artistic practices.

Halfway between the catalogue and the artist's book, this publication introduces the work of Cindy Coutant. The French artist focuses on issues involving poetics and semantics, in connection with the new technologies and the Internet imagery.

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

Near Future Laboratories, Brendan Howell, Julian Priest, Jason Kahn, Robert Pravda, Nicolas Maigret and Maria Roszkowska, Liam Young, Cinema Lascado exhibition, Cinnamon Colomboscope 2016, news and reviews in hacktivism, emusic and new media art…

Finnish media theorist discusses slow violence & environmental crisis through the prism of art, design, and technological practices.

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

An artist's book / catalogue exploring the new role of the image in a world modeled by visual artifacts.

This artist's coloring book is a silent illustrated narrative of a sudden lust-filled encounter between a cowgirl and an Indian girl and their threatening journey through a psychedelic Wild West at night.

First monograph dedicated to artist and filmmaker Martin Le Chevallier: a thorough introduction to his entire body of work (films, site-specific interventions, interactive pieces, performances and processes).

This issue traces the path of digital creation, from 90s Net Art to today's Post-Internet artists.

The Futures of Screen: an aesthetic and technical analysis.

Crossing perspectives on living among screens.

This monograph is structured around an alphabet dedicated to the career of this pioneer of digital art. It also includes contributions from the likes of Nam June Paik and Paul Virilio, as well as an interview with Catherine Ikam and her associate Louis Fléri.

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

An artistic dialogue between German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

Details from Heaven and Hell is the new chapter of Matt Mullican's cosmology, whose first models dates from 1973, and has evolved over the years and materialized in various media and performances.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

Artistic and literary creations on the theme “cyborgs and robots.”

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

Between 1946 and 1953, the Macy Conferences brought together a diverse and interdisciplinary community of researchers who together developed the basics of the new science of cybernetics. This publication contains the complete transcription and protocols of all contributions of one of the most important event in the contemporary history of science.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

Featuring: interviews with Constant (An Mertens, Femke Snelting), Rosa Menkman, Tristan Perich, Alberto Novello, Ralf Baecker, Phillip Galanter; an article on Simplexity, the art of the one-liner for sonic complexity, reports on “Disruption” ISEA 2015, “Test Exposure” WRO 2015, xCoAx 2015, digital news, books and records reviews...

Featuring: Finn Brunton and Helen Nissenbaum on their book Obfuscation – A User's Guide for Privacy and Protest, interviews with Mushon Zer Aviv, Francisco López, Jacob Kirkegaard, Benjamin Grosser, and Nick Montfort, reports on Media City – Intermedia Art Festival, Piksel 2015, Renewable Futures Festival, digital news, records and books reviews…

Postcards from Home documents the encounters between Roc Herms and several different avatars during his years of participation in a virtual world created for Playstation 3.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

The guide of the video and digital art collection.

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

The internet is an ever-growing storage space of information that we have come to rely on—but what does this thing called the internet really mean? (contributions by Julian Assange, Franco “Bifo” Berardi, Diedrich Diederichsen, Joana Hadjithomas & Khalil Joreige, Bruno Latour, Hans Ulrich Obrist, Hito Steyerl...).

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

First French translation of the two famous essays in which Jack Burnham draws the profile of an “aesthetic systems.”

How the impact of code on everyday life has become comparable to that of speech and writing.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations.