Art & new technologies / digital art / interactive art / net art / media art / AI

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

An artist book composed of approximately 1000 screenshots captured from Yngve Holen phone and laptop: a study in oversharing, exhaustion, and the aesthetics of digital accumulation.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

Interviews with Dan Ploeger, Derek Curry & Jennifer Gradecki, Liz Pelly, Barnaby Francis & Bill Posters; Poetic Terrorism & Brand Sabotage; reports: xCoAx 2024, Konton-ni-Ai!, 7th International Digital Art Biennal...

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

Through a combination of critical texts and a visual essay, this issue of Faire explores 3D computer graphics, sometimes called CGI, 3D-CGI, or three-dimensional computer graphics.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

Research-creation reconsidered from its historical upstream (before, when we spoke of Arts-Sciences), but also from its possible downstream (after, from the point of view of other conceptions and other practices yet to be invented).

This monograph focuses on a multimedia installation by Samson Young that poetically traces the idiosyncratic rhythms of love, memory, experiences of time, and AI. Essays and a rich set of unpublished materials offer new keys to understanding the research of the artist.

The fourth issue of Le Signe Design (the Cahiers of the National Graphic Design Center), under the sign of Japan.

New monograph.

New monograph.

Resynthese FAVN is a ten-CD box set and publication presenting a new realization of Florian Hecker's 2017 thirteen-channel installation of the same name.

How contemporary painting embraces the possibilities offered by digital technology.

How AI can be used in the creative process in art and design.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

Focus on the blockchain digital ecosystem: art on the web of value.

A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.

A memetic exploration of the "poor images" found on the fringes of the internet's dynamic and ever-expanding reservoir of content.

Russell Haswell and Florian Hecker pursue their exploration of the computer music system invented by Xenakis.

Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.

Refusing the digital world of late capitalism.

A catalogue that features a group of 20 artists from Saudi Arabia, the Middle East, the Maghreb and the international scene and explores the profound changes of a period marked by the presence of technology, the post internet era.

How AI can be used in the creative process in art and design.

Co-editor: Zane Cerpina; interviews with Boris Eldagsen, Martinus Suijkerbuijk, Maya Man, Molly Soda; Transmediale 2024; REBOOT: Pioneering Digital Art...

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia: the sixth issue of Jacques Donguy, Sarah Cassenti and Jean-François Bory's avant-garde artistic and literary journal, with Frédéric Acquaviva, Antonin Artaud, Philippe Boisnard, Bernard Bousquet, Augusto De Campos, Hélène Defilippi, Cassandra Felgueiras, Pascal Le Gallois, Raoul Hausmann, Eduardo Kac, Chris Korda, Thomas Laroppe, Alvin Lucier, Made In Eric, Richard Meier, Simone Osthoff, Nam June Paik, Céline Paul, Diamantino Quintas, Biño Sauitzvy, Raoul Vaneigem.

The catalogue of Darja Bajagić's exhibition for the Pavilion of Montenegro at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A board game and a communal ritual conceived by artist Angelo Plessas to explore self-made sacred spaces and inter-species connections.

An exploration of Lynn Marie Kirby 's work through a collection of writing, essays and interviews (Etel Adnan, Lynne Sachs, Jalal Toufic, Alexandra Grant, Trinh T. Minh-ha...).

A complete survey of the cast, forged, and fabricated metal sculptures made by Danish artist Sidsel Meineche Hansen since 2017.

How machine learning and computer vision generate images.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The first attempt to map that ensemble of subcultures, popular narratives, and visual and auditory languages we now recognize as "internet aesthetics".

Anniversary issue: 30 artists celebrate 30 years of Neural + 20 of Crónica; interviews with Olga Goriunova, Siegfried Zielinski, Luciana Parisi, Hito Steyerl, Jussi Parikka; The Neural Archive; reports: xcoax 23, Renaissance 3.0 ZKM; books/DVDs & music reviews...

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

Co-editor: Matteo Marangoni; interviews with Budhaditya Chattopadhyay, Kexin Hao, Pei-Ying Lin, Vivian Caccuri; articles: Accessing the Fiduciary Transactions of the Intellect and Imagination, Folding the Past into the Present; reports: Transmediale 2023, KIKK Festival...

Reading acts as a visual treasure trove, compiling an assortment of panels that capture the very essence of Disney's letter-centric storytelling.

A selection of images from the workshop on artificial intelligence organized at the Saint-Étienne Higher School of Art and Design.

On the melancholy and morality of digital ecosystems.

A collection of poems generated between 2020 and 2022 by an Artificial Intelligence trained exclusively on poet Charles Bernstein's entire corpus.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

Spike's Autumn issue is decoding AI, beginning with the age-old question of what intelligence is.

This artist's book reflects Eva & Franco Mattes' continued interest in the condition of displacement to be sensed in Fukushima. Borrowing the format of wrapping-paper catalogs, it contains twenty large pre-perforated sheets, each of which features a photographic texture—a seamlessly repeating motif captured by the camera amid the radioactive ruins of the contaminated towns and countryside.

Hybridizations presents the most recent work of the French artist ORLAN which reflects, from the aesthetics of ancient Mesoamerican cultures, on the canons of beauty, cultural exchanges, and the symbolic and material powers of native peoples in a globalized world.