New York

The notebook of American dancer and choreographer Simone Forti, in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world… The publication includes an interview with Forti by Annie Suquet, and an afterword by poet and Fluxus artist Jakson Mac Low.

An intimate journey into the personal universe of the artist through a series of daily leaps: from her New York studio in Tribeca to the numerous travels and landscapes she crossed over a whole three month period.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

An intimate journey into the personal universe of the artist through a series of daily leaps: from her New York studio in Tribeca to the numerous travels and landscapes she crossed over a whole three month period.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

First monograph.

The first overview of the variety and scope of the research carried out by Renée Green over the past twenty years.

Reference monograph.

First monograph.

A new series of works engaging with the interaction between politics and glamour.

First monograph.

The second in a series of publications drawing content and inspiration from the world-renowned Performa biennials.

Artist's book.

John Miller's photographic diary.

The live recording of the performance given by the artists at NBK, Berlin, 17 August 2008

Liam Gillick's project for the German Pavilion at the Venice Biennale 2009.

A sound piece recorded during two residencies at Cneai, Chatou, in 2007 & 2008—featuring illustrations by the artists and two essays by curators Sylvie Boulanger and Daniel Kurjakovic.

An overview of Landers' oeuvre including text and cartoon works on paper, paintings, sculptures, and video and audio works from 1992 to the present (new and revised edition).

Reference monograph: a chronology of Oursler's two-dimensional work over the past ten years.

“East Coast Europe,” which took place during Spring 2008, is a project about the perceptions of contemporary European identity and its relation to spatial practices and international politics.

A luxurious catalogue of Serrano's new body of works, with an essay by Hélène Cixous.

6 films by Amy Granat with Fia Backström, Jutta Koether, Amy O'Neill, Mai-Thu Perret, Angel Turner.

New edition of the American compositor's writings, with an essay on his oeuvre and some testimonies by Steve Reich and Joan La Barbara.

Drawings and collages by Nick Mauss associated with stills from videos by Ken Okiishi.

This first monograph presenting an exhaustive selection of the artwork of Tobias Putrih illuminates the thought and methodology of the artist.

New drawings.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

Comprehensive monograph highlighting a new group of sculptures.

Based on an exhibition curated by Christophe Cherix and John Tremblay at the Print Room of Geneva, this volume presents an overview of the use of vacuum-formed plastic in art of the last forty years.

Can your monkey do the dog is the title for this book conceived jointly by Josh Smith and Christopher Wool. Thanks to digital imaging, they created together a series of pieces; one of them proposed an image from his corpus, which the other one reworked, by adding or removing elements. A new "layer" was each time superimposed on the previous one, without any constraint or mutual censorship regulating the alternating interventions.

This publication reunites a selection of critical writings for the most part printed in magazines or exhibition catalogues: a reinterpretation of Conceptual and Minimal art, as much as a testimony of the 90's art scene.

An essay / fully illustrated monograph on choreographer and dancer Jennifer Lacey and artist and scenographer Nadia Lauro.

Conditions, procedures, framing and circulation of art works.

Based on an exhibition curated by Christophe Cherix and John Tremblay at the Print Room of Geneva, this volume presents an overview of the use of vacuum-formed plastic in art of the last forty years.

Reference monograph.

Artists' book with new drawings.

Produced as part of a Continuous Project residence, the collective's final publication brings together contributions from artists, philosophers and art critics around the relationship between art and politics.

A discussion of art and entertainment and their conflictual relationship (interviews and essays).

Details shows a succession of scenes filmed in static shots, appearing behind words letters cut on a black screen, giving the word the function of the frame and therefore rephrasing the link between language and image.

A fully illustrated, artist-designed catalogue.

Drawing upon the classic notion that flowers are imbued with meanings and a specific set of semantics with idealistic and hopeful connotations, Sicily-based artist Aleksandra Mir has edited and revised the botanical code in a more socially relevant fashion.

An impersonal autobiography (artist's book).

Illustrated monograph dedicated to the American hyperrealist artist's drawings. With texts by Kim Gordon, Liam Gillick, Karl Holmqvist...

Monograph featuring works from 2001 to 2004.

First publication of Le Va's scrapbooks.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Various artists and authors use two writers' correspondence as a primary source to develop an artistic and literary falsification.