New York

Richard Serra, Mary Heilmann and Terry Winters on Ellsworth Kelly, Thomas Eggerer on Monika Baer, Douglas Crimp talks with Thomas Beard about “Queer Cinema before Stonewall,” Maggie Lee on her video Mommy, sex and art from Fragonard to Manet, Claire Bishop on Peter Fischli & David Weiss, and exhibition reviews from Los Angeles, London, Düsseldorf, Paris, Beirut, Hong Kong, Rio de Janeiro, and more.

Tony Oursler and Greil Marcus on David Bowie, Jackson Pollock's late work, the Met Breuer, Cameron Rowland, an exclusive portfolio from Rosemarie Castoro, plus Magali Reus's Top Ten, the band Porches, and exhibition reviews from New York, Berlin, Lisbon, Milan, Prague, Athens, Delhi, Mexico City, and more.

Our computers' artistic taste, Anri Sala's show at New Museum, re-opening the Louvre after the Paris attacks, Neïl Beloufa on world domination and in-flight entertainment systems, the future of Brooklyn and the dangers of sawdust, Chantal Akerman's rent-controlled Manhattan, the curatorial skills of Brazil's tax police, reviews from New York, Oslo, and Warsaw, a portfolio by Mathieu K. Abonnenc...

First monograph dedicated to Virginia Overton, whose minimalist sculptural practice emergeas a direct response to her physical presence in the exhibition space.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

The result of a series started in 2008, all of The Naked Eye photographs are looks between the fanned pages of paperbacks that date back to the 1950s–1970s. This first exhaustive monographic publication of an ongoing series reveal a particular taste for mass-market celebrity biographies and movie novelizations featuring photo sections and pulpy paper stained by brightly-dyed edges.

Issue 2 features an extensive look at the Louvre Abu Dhabi in the context of universal museums worldwide by Kanishk Tharoor; Marina Fokidis on artists and galleries in Athens after economic crash; rising costs and problematic leadership in art school today; Amy Winehouse documentary and structural changes in film after a turn toward digital; interviews with architect Liz Diller and artist Agnieszka Kurant, reviews from New York, L.A., Tokyo...

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

Alex Hubbard's first comprehensive monograph, Eat Your Friends is also an artist's book.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

This artist's book documents a dialog, exchange, and collaboration between Per-Oskar Leu and Benjamin Tiven, from summer 2013 through the winter of 2015.

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

A 300 page pulp book, compiling a series of 230 short texts by Justin Lieberman in alphabetical order, as well as an essay telling the story of a now-destroyed installation piece, to which the texts were originally related: “The Corrector's Custom Pre-Fab House”. The texts, with their sarcastic tone, can be read autonomously: they are a meditation on capitalism and material culture, between poetry, description and fiction.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

A montage of theoretical and speculative texts, conversations, fictions, and documents exploring different tactics of production and intellectual exchange that operate in the interstices between artistic, educational, and political contexts, and imagine novel institutional forms.

The first issue of Even features New York Times classical music editor Zachary Woolfe on Björk and music in the museum; Elisabeth Lebovici on Joan Jonas, representing the US at the 2015 Venice Biennale, an interview with Luc Tuymans, reviews on São Paulo's galleries and museums today, Reena Spaulings, an avant-garde exhibition space in New Delhi...

Danse – A Catalogue comprises dialogues and essays by dancers, choreographers, writers, and curators reflecting on the mutual influences of French and American choreographic cultures. Together these writings examine the ways in which dance matters in an increasingly globalized contemporary field.

Closer to a teen magazine than a classic publication, this catalogue / artist's book by one of the most influential artists of the new media generation features a series of essays by international curators and artists, and exhibition views, alongside elements typical of publications targeting a young audience, such as posters and stickers.

Liz Magic Laser's recent works.

166 minutes with Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

The only novel written together by two great American poets associated with the New York School.

Catalogue gathering the early paintings of Charline von Heyl.

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

New monograph.

Comprehensive monograph: a focused look at the artist's graphic work from 1964 to 2004.

The origins of the writing of the history known as the history of modern art (catalogue).

A publication based on the typescripts of Hannah Weiner's singular diary.

A comprehensive examination of Robert Smithson's work and creative process.

First monograph.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Monograph / artist's book, with a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine's approach to working, which gestures toward abstraction and improvisation, as well as three essays that investigate Valentine's process.

Artist's book.

Ben Vida's new LP, based on a concrete poetry score / text piece.

The first monographic close reading of Ashley Bickerton's influential early work (texts by Abigail Solomon-Godeau, Bob Nickas, Thomas Lawson, John C. Welchman...).

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.

Artist's book.

Historically important pieces documenting John Cage's early electronic and tape practice.

A “memorial” consisting of testimonies and interviews with friends, models, collaborators, and specialists of Robert Mapplethorpe (Pierre Apraxine, Pierre Bergé, Germano Celant, Lucinda Childs, Marcus Leatherdale, Richard Marshall, Bettina Rheims...).

An anthology that draws on recent French choreographic creation to offer a reflection on the current international state of affairs of contemporary dance, its dialogue with other art forms, dance's historical position, and its perspectives with respect to contemporary issues affecting society at large.

Seven fold-out posters and a text by Martin Herbert.

Critical texts by Kim Gordon brought together for the first time.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

A study of the work of Olivier Mosset in 46 chapters.