Institutional Critique

A collection of the artist's writings from 2019 to 2024.

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

This artist's book by Bea Schlingelhoff gathers together 366 capping phrases used for kōan practice.

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

An in-depth historical study of the artistic and political project of the Situationist International (1952-1972).

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

New monograph.

On the themes found in the work of Lorraine O'Grady: Black female subjectivity, intersectional feminism, institutional critique, music, and translation.

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

The current crisis of museums and the future of Institutional Critique.

From "institutional critique" to "infrastructural critique" .

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

An extensive overview of Olivier Mosset's six-decade painting practice.

An extensive overview of Olivier Mosset's six-decade painting practice.

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

Art as a tool to reinvent our daily reality: textual and visual outcomes of the temporary master Reinventing Daily Life at the Sandberg Instituut in Amsterdam.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

The singer Christophe puts to music Olivier Mosset's interviews.

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

This publication brings together two early works by Heimo Zobernig, Farben and Alphabet.

Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

Catalogue dedicated to one of the pioneers of European conceptual art, whose work adopts a critical approach of the art world and the avant-garde. The publication offers an overview of the Belgian artist's career, and gathers texts by Jean-Michel Botquin from 1960 to 1980, and recent contributions by Nicolas Bourriaud, Denys Riout, Denis Gielen, and Serge Bonati.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

Second DVD in the “Works & Process” series to be dedicated to Daniel Buren's work, this new collection of films offers various documentary approaches of this major artist's work in a 3-hour program.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

First French translation of the two famous essays in which Jack Burnham draws the profile of an “aesthetic systems.”

A retrospective retracing in pictures fifty years of creation.

An essential publication that allows to reevaluate the importance and impact of the work of the pioneering English group Art & Language, and the emergence of Conceptual art in the early 1970s.

In 2011, Damien Beguet and P. Nicolas Ledoux purchase the name of artist Ludovic Chemarin after he decided to end his career in 2005. Since then, they have been exploiting his name through exhibitions, conferences, and interviews. This monograph gives an overview of the project, gathering exhaustive documentation and essays from critics, historians, and lawyers.

5th issue of the art and research magazine is dedicated to Andrea Fraser.

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

The design, construction and reception of all interventions by Daniel Buren in the public space of the city of Istres in 2013.

Second volume of the anthology (1975-2000), focusing on performance and performativity.

An anthology: selected criticism, essays, interviews, and curatorial projects, since 1986-2012.

The first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič, between Conceptual art, Contextualism, institutional critique, and relational aesthetics.

Marianne Heier's investigative process (a reader).

An exhibition in book-form.

Focused on a series of exhibitions entitled The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.

New expanded and subtitled edition: nearly four-hour program consisting of twelve films, five documentaries, unpublished documents as well as original video works by the artist.

Catalogue.