Abstract painting

Lavishly illustrated, this publication on the Argentine-Swiss artist Vivian Suter offers an immersive approach to her acclaimed painting practice, whose relationship with the natural world makes it particularly challenging.

Reference monograph.

This monograph on Rosemarie Castoro (1939-2015) spans the New York-based artist’s entire practice.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

New monograph.

Pierre Wat invites height artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

Known for his braided canvases, French artist François Rouan presents his latest "photographic-tableaux", a group of forty previously unseen pieces.

The culmination of a multidisciplinary project developed over ten years, where Miquel Mont blends real and fictional autobiographical elements to explore the economy of affects.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

The immersive, monumental paintings documented here were the first works that José Parlá created after his recovery from a life-threatening battle against Covid.

Fredrik Værslev: The Garden Paintings is the first publication dedicated solely to one specific body of work in the artist's practice. It includes essays by Martha Kirszenbaum and Erlend Hammer, and gives a comprehensive and chronological account of the works from the series, showing their stylistic development as well as their exhibition history.

A text by the painter, writer and poet, begun in 1959 as a student and finalized half a century later.

Comprehensive monograph.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

First monograph dedicated to the pictorial work of Israeli artist Tami Amit.

New monograph.

An analysis of the true theoretical and commercial system developed by Michel Tapié de Céleyran (1909-1987), who invented his profession of art entrepreneur by combining several activities—art critic, editor, artistic advisor, broker and collector—, contributed to the international destiny of some 200 artists (including Dubuffet, Mathieu, Pollock, Tapiès, Saura, Fontana, and De Kooning) and was at the origin of "Informal Art".

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

This artist's book explores the diverse reference system of forms and materials, plants, animals and other subjects out of which Claudia Comte develops her biomorphic sculptures.

Reference monograph.

Simone Hoffmann's films invites us to rediscover one of the world's most important contemporary artists in the context of her retrospective exhibition at the Musée d'Art Moderne in Paris in 2023.

On Patterns reflects the themes in Adelaide Cioni's research: nature, language, craft, performance and abstraction/spirituality.

Invited by Molly Warnock, nine artists living in the United States write about the work of Michel Parmentier (1938-2000). A radical founding figure of the BMPT collective who refused all formal and ideological compromise, Parmentier appears here through the diverse prisms of the authors' own artistic commitments and cultures.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

An immersion in the creative process of the American painter.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

A brand new body of recent works by the French painter.

The photographs made by Cy Twombly and Robert Rauschenberg in Morocco in the 1950s.

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.

The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.

Claudia Comte's "autobiography" (artist's book).

New monograph, centered around a temporary work in situ by Daniel Buren, allowing to further explore the close relationship that the artist weaves with architecture, landscape but also points of view.

This reference monograph, revisiting the conceptual and sensorial developments pursued by the artist since the 1970s, with a layout by graphic designer Zak Kyes under the artistic direction of Marc Camille Chaimowicz and Anna Clifford, includes a key text authored by Marie Canet.

Reference monograph (also available in English edition).

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

A novel by Liam Gillick.

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

A colorful and lively journey through Tyra Tingleff's artistic practice.

Luxurious retrospective monograph of the Swiss painter (1939-1998): 250 works on paper (ink, pencil, pen and watercolor drawings) covering more than three decades of exploration of the graphic potential of the line.

The first ever reissue of the piece recorded by Asger Jorn & Jean Dubuffet in 1960-61 in Paris.

Four artist's posters.

The first official monograph project around Ramsès Younan (1913-1966), a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

At the invitation of Frédéric Paul, nine artists from both sides of the Atlantic cast an eye on the work of American abstract painter Shirley Jaffe (1923-2016).

The artist as collector: Albert Oehlen's own artworks nail-to-nail with masterpieces from his personal collection.