Graphic design / typography

The everyday life of Stefan Marx in Berlin, in a new 300-page volume of drawings.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

The first issue of the Cahiers du centre national du graphisme (National Graphic Design Center), around the relationship between graphic design and feminism (new edition).

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

The first comprehensive and thorough scientific study of typographic typefaces created in Germany, Italy and France between 1459 and 1482, which are neither fully gothic nor roman.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

An essay on the modes of re-enactments, appropriation or reinterpretations of artists' books.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

Artist's book.

This book is part of a research project conducted at ECAL that takes a critical look at standards in the field of offset printing. One will find here a collection of texts and images related to colour printing which recount histories, at times unknown, others forgotten, or else, for some, never told.

The drawings in 101 are made with a software application conceived by Erwan Bouroullec which extracts lines and colors out of photographs.

Studies for paintings and sculptures.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

A bible for graphic designers: first publication dedicated to “Color Library,” the database of color profiles for artists, designers and printers created at ECAL – University of Art and Design Lausanne. It features documentation on the various tools offered by the platform, a visual essay by Shirana Shahbazi, and texts by specialists.

Issues 13 to 15 of the critical review dedicated to graphic design. Compilation includes studies on Peter Bil'ak's essay on the exhibition of graphic design; the posters produced by M/M (Paris) for CDDB-Théâtre de Lorient; and the collaboration between studio Spassky Fischer and Marseille's MUCEM.

A panorama of the world of do-it-yourself fanzines.

An history of graphic design before modernity: this first volume is a transdisciplinary collection of documents recording the existence of graphic design before the development of the written form.

Will Sweeney's new graphic narrative is set in a retrofuturistic England ruled by a twisted elite who exploits a population inhabiting decadent urban centers. Monsters populate this strange world, and humanity's last chance lies in the power of the Vorpal Sword—a metaphysical blade of vital creative energy…

Issues 5 to 8 of the critical review dedicated to Graphic design. Compilation includes studies on the following subjects: an Instagram post by studio Experimental Jetset for the Paradiso cultural centre in Amsterdam; a series of gestures, from Harun Farocki to L'Architecture Aujourd'hui; the publication Parallel Encyclopedia by Batia Suter; Charles Mazé & Coline Sunier's residency at the Villa Médicis.

The first four issues of the critical review dedicated to the analysis of Graphic design, published by Empire books (studio Syndicat). Each publication documents a specific object, addressed by a renowned author: the Rouge-gorge series at Éditions Cent pages by S.P. Millot; the database colorlibrary.ch by studio Maximage; the monograph Recollected Work by Mevis & Van Deursen; and the invitation cards by the artist Stanley Brouwn.

This artist's book is based on an Adirondack furniture book donated to Philippe Weisbecker 20 years ago by a New York friend who worked in a hardware store.

The magazine dedicated to drawing makes its comeback with nine long-length interviews with Sarah Tritz, Maximage, Ernest T. (Taroop & Glabel), Masanao Hirayama, les éditions Matière, Aidan Koch, Yannick Val Gesto, Stefanie Leinhos, and Galerie 126.

This exhibition catalogue offers a thorough examination of the artist's book as both an artistic and editorial medium. Focusing on the collection by Jean-Paul Guy, the publication presents 68 artists' books by the likes of Ed Ruscha, Dieter Roth, Michael Snow, and Robert Barry.

ECAL – University of Art and Design Lausanne is recognized as a world reference in terms of graphic design. This success is largely based on a strategy of workshops that allow students to learn from the best Swiss and international designers on the school premises. This book retraces projects conducted in the Bachelor's Graphic Design and Master's programs between 2010 to 2015.

Paris céramique is the result of a four-day ceramic workshop that took place in Paris in 2013 with Bastien Aubry, Dimitri Broquard, and Adrien Horni, following an invitation by Thomas Mailaender.

Built by the design collective Metahaven, the project Black Transparency questions how information is organized globally and what role the concept of transparency occupies within it. This book engages transparency's junctions with design, architecture, and pop culture through Metahaven's research on technology, structures of information, networks and the Internet.

Manuel Raeder's 2016 Wall Calendar (with Armando Andrade Tudela, Mariana Castillo Deball, Heinz Peter Knes, Dominique Gonzalez-Foerster, Tris Vonna-Michell...).

The present portfolio is a sampler of some various structural beam combinations from 20th Century edifices. It can be viewed as a book, spread by spread, or pinned on the wall, according to taste, the way a kid might stack up building blocks.

Fines as an artistic medium: Stefan Marx illustrates the monetary penalties collected by Christoph Keller for its activity as a distiller.

A new drug on the market: an illustrated kaleidoscopic trip by Arnaud Loumeau.

Artist's book (drawings).

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

With Grotesque female creatures, atomic lightbeams, skulls, Pop monsters and ukiyo-e decoration... These polychromic hallucinations of a Master of Psychedelic art were inspired by a near-death experience.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

4th issue of the magazine about contemporary drawing, featuring Pierre-Guilhem, Ronan Bouroullec, Sany, José Maria Gonzalez, Pierre La Police, Leon Sadler, Karl Nawrot, Aerosolgrafia, Daniel Clowes.

Different “augmented” perspectives from a visit of Giorgio de Chirico's flat.

Federico Pepe's Magnum opus (limited edition artist's book).

300 drawing by Portuguese artist Gonçalo Pena.

12 typescripts of concrete poetry (signed and numbered artist's book).

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011.

Twenty-six serigraphs by the Dutch graphic designer.

A series of 365 cartoon drawings, made daily in 2012, exploring philosophical thoughts concerning art, being, knowledge, logic and skateboarding.

A subjective lexicon, proposing keywords for contemporary publishers and book freaks.