Graphic design / typography

First monograph (also in English edition).

Nothing Special is French artist Julien Berthier's second book with drawings and reflections on his own work: a framework of artistic research and the beauty of failure, a manual on how to make things even more complicated.

Small luxurious artist's book in a black leather cover, presenting the Sinflex drawings series. 350 copies limited edition, hand numbered (first 20 copies signed by the artist).

J. Donguy introduces the visual and sound experimentations of concrete poetry, from 1953 (Gomringer and de Campos) to the current movements ("digital area"). The anthology, followed by an international bibliography, offers the first overview of this art, with 300 illustrations.

Monograph dedicated to the abstract artist's graphical paintings and objects, accompanied with a long essay by Jeff Ryan.

Both an artist's book and a catalogue raisonné of Swiss artist's prints: the publication on the one hand recreates on the offset plates the construction of images in his works and, on the other hand, documents the development of bodies of works and themes.

For the first time this publications brings together the two Vancouver artists' unique styles of drawings and collage in a booklet inspired by modern dads “getting busy in their own time”

A series of bit papers, resulting of a one year long action by the artist / designer known for his work around this material.

Reference monograph.

A compilation of videos by the collaborative fashion, design and fine art project.

This collaborative project by Mark Soo and Tim Lee formally pushes the boundaries of what a book is. The book is blank except for four printed pages containing words set in Univers.

This publication is a compilation of unpublished pictures from the graphic design studio FLAG.

Agenda is an ongoing project by graphic designer Manuel Raeder which focusses on different methods of how people organize, in a personal or non-personal way, their time.

A collection of new work made using paper.

Colour drawings by the NYC based illustrator, artist and designer.

Initiated by artist Rirkrit Tiravanija, An innovative publishing format for artists, photographers, architects, musicians, poets, and other groups and individuals that can join in and collaborate any time, from anywhere.

Patate is a magazine dedicaded to graphism and poetry edited by French punk graphic design pionneer Pascal Doury.

Reprint of the first Dada anthology (Berlin, 1920), with Tzara's chronicles, manifests and documents.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

Extensive monograph with serigraphs.

German artist's "word-images" (early works).

Monograph / interview.

A magazine printed with white ink on white paper (with Gilbert & George, Yoko Ono, Lawrence Weiner, Liam Gillick, Martin Creed, Christian Boltanski, Hans Ulrich Obrist, Niele Toroni, Art & Language, Steven Parrino, Maurizio Cattelan, Tom Morton, Swetlana Heger, Didier Marcel, Angela Bulloch, Daniel Buren...).

First monograph.

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Twelve Romanian landscapes (oil on canvas).

Reference monograph, with introductions by Herbert Read and Leslie Martin, six texts by Naum Gabo, an interview, numerous documents on the history of constructivism including the 1920 Realistic Manifesto reprint, and stereoscopic reproductions, with a pair of special glasses included in the book.

A series of watercolor images of vases by the Swedish artist, printed in risography.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

Stefan Marx uses different media in his "Autobiography". Sketches, paintings, photographs and some texts, all carried out through the iconic style that made him a legend.

The catalog of the fourth edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme in Chaumont, in 2023.

The everyday life of Stefan Marx in Berlin, in a new 300-page volume of drawings.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

The first issue of the Cahiers du centre national du graphisme (National Graphic Design Center), around the relationship between graphic design and feminism (new edition).

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

The first comprehensive and thorough scientific study of typographic typefaces created in Germany, Italy and France between 1459 and 1482, which are neither fully gothic nor roman.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

An essay on the modes of re-enactments, appropriation or reinterpretations of artists' books.

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

Artist's book.

This book is part of a research project conducted at ECAL that takes a critical look at standards in the field of offset printing. One will find here a collection of texts and images related to colour printing which recount histories, at times unknown, others forgotten, or else, for some, never told.

The drawings in 101 are made with a software application conceived by Erwan Bouroullec which extracts lines and colors out of photographs.

Studies for paintings and sculptures.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

A bible for graphic designers: first publication dedicated to “Color Library,” the database of color profiles for artists, designers and printers created at ECAL – University of Art and Design Lausanne. It features documentation on the various tools offered by the platform, a visual essay by Shirana Shahbazi, and texts by specialists.

A panorama of the world of do-it-yourself fanzines.