Central / Eastern Europe

This trilingual publication dedicated to the Polish artist and theorist deceased in 2014 emphasize his essential contribution to action art by gathering previously unpublished articles from his friends and colleagues in the contemporary art world. The authors recount his ideas, career and influence. Photos, reproductions of the artist's original articles and a DVD all serve to enrich this publication.

Through the use of a saturated blue color altered by light and demarcated by architectural forms, Haliti's installation for the Kosovo Pavilion at the 56th Venice Biennale reflects on the salient concepts of the border, freedom and mobility. This extensive documentation is an invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

This two-volume publication tells the story of Juhan Ojaste, an Estonian gay icon, and tackles the issue of homophobia in authoritarian political regimes. Not Suitable for Work attempts to create counter-narratives that recognize the inclusion of suppressed histories, communities, and identities (catalogue of the Estonian Pavilion at the 56th Venice Biennale).

Comprehensive monograph: this first retrospective publication gathers together Mančuška's work, which combined different media—literature, film, theater, installations, video, and text—was exhibited widely, from the second half of the 1990s to his last unrealized projects from 2011.

A lively improvisation lead by a quartet of instrumentalists blending drone and chamber music.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

A large survey of Monika Sosnowska's sculptural work.

A previously unpublished series of photographs taken in 1989 in Arles and Paris, retouched by Boris Mikhailov 26 years later, offering a fresh perspective on his work.

An overview of Koka Ramishvili's work from 1988 to 2015, between photography, painting and video.

A textual rendering of fifteen films from 1997 to 2015, completed by authors' comments and introductory notes by Narkevičius himself.

This publication examines the impact of Oskar Hansen within contemporary visual culture and the redefined role of the viewer since the 1960s.

Disordered Structures is a book of drawings by the Polish sculptor and installation artist, which documents her artistic research on structures and constructions.

The beginning of Hungarian Conceptual art.

Box set including a book and a film on DVD.

A magazine dedicated to art and theater (artistic director : Paulina Ołowska).

Monograph dedicated to Dokoupil's most recent soap bubble paintings series.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Catalogue / artist's book.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Czech artists of the 1960s–1970s.

First monograph.

A comprehensive survey of mangelos' art across all mediums, this book includes three essays which renew the interpretation of his art and its context. It offers a particular focus on his early work and notebooks, which are extensively reproduced for the first time.

The 3 volumes of the Vasarelyptiques: the ultimate original portfolios conceived by Vasarely himself—some high quality prints made between 1971 and 1977—and a set of original documents (1954-2013), gathered in an exclusive and ultra-luxurious box, with an additional book containing translations into four languages.

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

David Maljković publishes, for the first time, some excerpts of his notebooks.

First monograph on Serbian born London based artist Djordje Ozbolt's painting, including an essay by Irish art critic and curator Caoimhín Mac Giolla Léith, as well as a conversation with Gregor Muir, Director of the Institute of Contemporary Arts in London.

Ion Grigorescu's diaries from the crucial years of 1970 to 1975, a small literary and art-historical sensation.

Education and totalitarianism, in Central and Eastern Europe: a multidisciplinary reflection on totalitarianism as a political and anthropological project which, paradoxically, puts the question of education at the center of its concerns.

An extraordinary overview of Ion Grigorescu's body of work since the late 1960s until today.

Seven fold-out posters and a text by Martin Herbert.

A visual and textual journey through the participatory processes that inform the work of the Warsaw-based artist.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

A reflection on the Russian avant-garde's artistic project in the early twentieth century, and the problem of their paradoxical relationship to history.

An ornithology guide which reconciles Mythology with scientific soundness (artist's book).

The everyday as an artistic act: a look back at the artistic and romantic relationship between Július Koller and Květa Fulierová through a series of personal belongings and documents (artist's book).

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

Dénes Farkas's project for the Estonian Pavilion of the 55th Venice Biennale.

Autobiography of Hungarian stage director and playwright George Tabori: a collection of memories oscillating between pathos and drama, delivering a lucid picture of the rise of Nazism.

Artist' book (Andro Wekua's recent works).

A vast photographic archive conceived as an extension of Petra Feriancová's project for the Czech and Slovak Republic Pavilion at the 55th Venice Biennale.

A conversation between two artists, conducted in the form of spontaneous reflections on the images with which they confront each other.

Reference monograph: an overview of Paulina Olowska's work, with an interview with Adam Szymczyk and an essay by Jan Verwoert.

Comprehensive monograph.

An album of photographic documentation of Cezary Bodzianowski's ephemeral ‘events' gently disrupting the course of everyday life, with essays by Catherine Wood, Jarosław Suchan, and Susanne Titz.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

First monograph, with three essays and an interview.