Catalogues

Appearing after the Reader, this second volume covering the 8th Momentum Nordic Biennial features images from all artists participating in the exhibition, both in the pages of the publication and via a memory stick, incorporated in the spine.

The many representations of the Self and the Other in Africa, the Indian Ocean, Asia and Europe, through a selection of artists' portraits and self-portraits (exhibition catalogue based on Frac Reunion's collection).

Amy Lien & Enzo Camacho invited four other international artists from three different countries to participate at an artist's residency in Milan. Their preliminary idea was to think communication issues and artwork's ability to materialize the various forms of exchange. This catalogue covers the exhibition that followed this residency.

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

The reader of the 8th Momentum Nordic Biennial which explores tunnel vision as a cultural and artistic condition.

The digital catalogue of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a radical and poetic take on daily life and the modern world.

The book of the 13th edition of the international exhibition, curated by American curator Ralph Rugoff, under the title “La vie moderne”: a catalogue both physical and digital (the paper guide allows access to the complete digital catalogue from a download code).

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

Taking the historical account of philosopher René Descartes' creation of an animatronic effigy of his deceased young daughter as its foundation, Descartes' Daughter explores the traditional divide between conceptual and expressive works, those dealing with either the mind or the body (catalogue).

This catalogue interrogates the notion of play in contemporary art, bringing together artists who use formats and imagery from popular culture usually addressed to children or teenagers.

In 69 / 96, Fredi Fischli, Niels Olsen and Bob Nickas enter an inter-generational dialog about exhibitions that is both personal and art historical, presenting works from 1969 and 1996 (catalogue).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

Catalogue.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

Twelve international artists forge a reflection on the meaning, the potential and the new experimental approaches in sculpture today.

Catalogue.

One year in the art world: Art Basel's official annual publication, “Art Basel | Year 45” captures and documents the 2014 shows in Basel, Miami Beach, and Hong Kong, and goes beyond them, featuring interviews, essays on contemporary art and personal highlights from artists, curators, collectors, and museum directors. Immersive, insightful, and art, art, art.

Catalogue.

A project about the issue of animation and cinema in the field of visual arts, and the possibility to give life to the draw, the silhouette, the puppet, or the photographic image.

An exploration of the concept of the museum from an artistic and outside perspective.

Catalogue.

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

A replay of the collection of the FRAC Champagne-Ardenne by Swiss graphic design studio Gavillet & Rust.

A retrospective overview of the 12th edition of the Lyon Biennale, curated by Icelandic curator Gunnar B. Kvaran, with a focus on the two parallel programs “Veduta” and “Resonance”, held in the Lyon conurbation and its region.

A complete record.

A continuation (rather than simply documentation or commentary) of the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam.

A critical approach to practices of photographic representation and information.

Catalogue of the main contemporary exhibition at HOK in 2014.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense.

A photographic encounter between Guillaume de Sardes, Nicolas Comment, Ola Rindal, and Henry Roy, four French photographers who are fond, each in their own way, of the mundane, the insignificant, which they interpret with controlled blur, subtle color palettes and perspectives that make sense (available in English edition).

An Anthology of Stravinsky's “The Rite of Spring”, between dance and the visual arts (with Eleanor Antin, Marc Bauer, Karen Kilimnik, Xavier Le Roy, Vaslav Nijinsky, Silke Otto-Knapp, Yvonne Rainer, Lucy Stein...).

Representation of pain in the art of the twentieth and twenty-first centuries.

One year in the art world.

Sound (and aural perception) in contemporary art.

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

New Africa gives a photographic redefinition of the African territory, influences and cultures. Beyond Afro-pessimism and outdated folklore figures, this publication reveals the multiple identities of the Arab-African human being.

Fully illustrated catalogue of the 14th Geneva Biennial, re-launched by Centre d'Art Contemporain Genève. The 2014 edition presents 22 films and video works, specially commissioned by the Centre (from September 18 to November 23, 2014).

The first edition of the triennial of contemporary art Bergen Assembly.

A philosophical, historical and poetic book project based on the Central Asian Pavilion at the 55th Venice Biennale.

A range of international artists engaged in investigating the shifting, viral nature of capitalism.

The catalogue of the artists' residency curated by (SIC) at the 55th Venice Biennale, with about 15 Belgian visual and video artists and authors.

A curatorial and editorial project which explores the propensity for artists to engage with knowledge from fields beyond their own area of specialism.

A parallel between the artistic paths of four leading figures in contemporary art: Enrico Castellani, Dan Colen, Dadamaino and Piotr Uklański.

A reflection on the notion of transmission (but also on the issues involved in an exhibition catalogue).

A double exhibition, a mirroring situation or a splitting divergent show between Helsinki and Brussels.

This publication presents a retrospective study on the first contemporary art gallery of Morocco, l'Atelier (The Workshop). It highlights the work of the gallery and help to understand the artistic and cultural dynamics of an era: that of the advent of contemporary Moroccan art on the international scene.