Catalogues

The catalog of the exhibition at the first Biennale of Architecture and Landscape.

The audience's human body and the museum institution.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

Two contemporaneous bodies of artworks, which demonstrate the parallel tendencies of art in state socialist Hungary in the early 1970s.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A newspaper format publication by artist and curator Mathew Hale, derived from an exhibition of 24 LA and Berlin-based artists.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

The catalogue of the first edition of the Montpellier Biennale.

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

An exploration of the complex relationship between contemporary pictorial practices and their digital environment, examining in particular the idea of license and the strategies of appropriation pushed to the limit by unlimited access to digital resources.

Art and the economics of the digital age.

Catalogue.

Narok (“hell” in Thai) shows the various reinterpretations of Thai hell’s gardens done by a myriad of artists from all over the world.

The catalog of an exhibition conceived with the gallery Untitled (2016) in the apartment of the CAN (Centre d'Art Neuchâtel), where each of the rooms has been invested by an artist or duo of artists.

Forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current dramatic evolution of the oceans.

A reflection treating the game of football as an expression of both individual and group "identity".

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

The history of Arabic calligraphy.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

The new wave of French and international design: an account of research on the glass vase conducted at the International Research Center for Glass and Plastic Arts, showcasing the work of the ten designers who were awarded the grand prize in the Design Parade Hyères competition, organized each year by the Villa Noailles.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A documentation of new values and new worlds and a guide to them.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

The intersection of walking and collecting.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

The consideration of flowers as an object of contemporary design (a curatorial exploration).

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

A panorama of the contemporary art scene in Italy (exhibition catalogue).