Anthologies

An anthology of texts on documentary practices in contemporary art.

The fifth volume of the experimental and electronic music anthology (1920-2007), including unreleased material and rarities (Charlemagne Palestine, Wolf Vostell, Pere Ubu, Dub Taylor, Henri Chopin, Raoul Hausmann, Mauricio Kagel, Dajuin Yao, Alireza Mashayekhi, Sutcliffe Jügend, Vladimir Mayakovsky...).

A compendium of texts containing famous exhibition case studies, involving some of the more thought-provoking artists, architects, and scientists of our time. A must-have for anyone interested in the unusual strategies of a curator-at-large.

The crossover between fashion and art (catalogue of St. Gallen museums, with 70 photographers, fashion designers and artists).

A compendium of texts containing famous exhibition case studies, involving some of the more thought-provoking artists, architects, and scientists of our time. A must-have for anyone interested in the unusual strategies of a curator-at-large.

The second volume of the experimental and electronic music anthology (1937-2005), including unreleased material (Maja Ratkje, Beatriz Ferreyra, Laurie Spiegel, Vibracathedral Orchestra...) and rarities (György Ligeti, François Bayle + Robert Wyatt + Kevin Ayers, Les Rallizes Dénudés...).

Second volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

First extensive publication of American artist, poet and performer's texts, illustrated with 4 screenprintings.

Humour as a strategy in art, from Dada to Fluxus and contemporary conceptual art.

First volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

The third volume of the experimental and electronic music anthology (1952-2004).

This anthology aims to exploit the psychological associations of space and the psychological reactions to it.

The moving image in art and culture.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

The second volume of the experimental and electronic music anthology (1936-2003), including unreleased material (Laibach, Alan R. Splet, Kim Cascone, Autechre, Tod Dockstader, Scanner, Morton Subotnick) and rarities (Captain Beefheart, Sun Ra, SPK, Luc Ferrari...).

The first volume of the experimental and electronic music anthology (1921-2001), with some major works (Pierre Schaeffer, Iannis Xenakis, Edgard Varèse, Henri Pousseur, Konrad Boehmer, Luigi Russolo), a few rarities (John Cage, Nam June Paik, Gordon Mumma, Walter Ruttmann) and plenty of previously unreleased material (Sonic Youth, Einstürzende Neubauten, DJ Spooky, Ryoji Ikeda, Pauline Oliveros, Angus MacLise, Philip Jeck, Survival Research Laboratories...).

Anthology of essays on Jack Goldstein's work (contributions by Hélène Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, Jack Goldstein, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jack Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Greenville, Lionel Bovier, Fareed Armaly).

An anthology re-mapping the relations between the modernist utopia of neutrality and that of the psychedelic moment.

An anthology focusing on the relationship of language to sound, writing to music, bringing together a collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art.

From “polemical” texts to extensive theoretical essays, passing through Ed Ruscha, Bruce Nauman or John Baldessari, these writings have proved to be among the most challenging ones.

An anthology of texts on the problematic notion of "alterrnative", based on curatorial and artistic practices.

An anthology focusing on architectural and acoustic space, sound sculpture, field/environmental investigation and recording, and site-specificity, featuring writings, visual works, interviews and artist projects by leading experimental composers, sound-artists, architects, contemporary authors, cartographers, and ecologists.

Collection of texts by philosophers and art historians.

Over a decade’s worth of essays: movies of America in parallax view.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Collected texts.

Catalogue.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create another pedagogical turning point.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The first collection by award-winning performance artist/poet Justin Chin.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view.