Anthologies

Positions in contemporary African art.

An overview of the Californian art scene from 1990 to the present.

An anthology exploring the notion of reality.

The Populism Reader accompanies Populism, an exhibition project in four European cities exploring the relationships between contemporary art and current populist cultural and political trends.

A book conceived as an extension of Melik Ohanian's film Seven Minutes Before, with contributions by Cecil Balmond, Gilles Clément, Beatriz Colomina, Tacita Dean, Richard Drayton, David Elbaz, Patricia Falguières, Medard Gabel, André Gaudreault, Paul Gilroy, Edouard Glissant, Anna Halprin, David Held, Pekka Himanen, Bruno Latour, Charles Musser, Jean-Luc Nancy, Jane Poynter, Jean-Christophe Royoux, Saskia Sassen, Peter Sloterdijk, John Tresch, Eduardo Viveiros de Castro and Robert Whitman.

The book concentrates on spatial concepts in contemporary painting.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

Art as actions : a collection of Martel's essays and articles since the eighties.

Art and glamour as spaces for transformation of the self.

Fluxus special issue: texts by theoreticians and artists (Conz, Ucciani, Giroud, Donguy, Martel, Chopin, Heidsieck...), documents (Dupuy, Knowles, Ben, Williams...) .

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

The art scene for collectors, and art and economics.

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

A transcript of lectures on culture and globalization by artists and cultural analysts.

A selection of unfavourable articles on Gauguin.

Exhibition catalogue (texts by Christophe Cherix, Sarah Lombardi, Olivier Mosset, Caroline Nicod, Bernard Wyder, interviews by John Armleder, Rene Berger, Pierre Keller).

The Fluxus anthology.

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

A selection of essays by the artist, poet, writer, happening-maker, cinematographer, art and literary critic.

An anthology of texts around issues such as spatial politics of representation and identity, the public and the private, the space of art and culture, the memory of places and the inscription of remembrance, and the relations between utopias, heterotopias and the real.

A collection of entirely revised or previously unpublished texts.

A selection of unfavourable, violent, conformist, sceptic or narrow judgments on Picasso, published in French and international newspapers (Le Figaro, The Daily Mail, Les Lettres françaises, Life...) between 1917 and 1973.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

Bob Nickas' writings (English edition).

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

Architecture of the Territory examines the role that national narratives have in defining the Arab world through the use of architecture and urban planning, through 30 essays, by contributors of each region.

A manifesto for an activist neuroaesthetics, to make the processes of digital dominion and governmentalization—which are becoming more and more prominent in late-stage cognitive capitalism (or neural capitalism)—opaque, visible, and known (contributions by Franco Bifo Berardi, Yann Moulier Boutang, Bonaventure Soh Bejeng Ndikung, Warren Neidich, Slavoj Žižek...).

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

A conversation about science fiction and robotics, ecology and gender, Indigenous Futurisms and what it means to be human.

The final chapter of Discrepant's Anthology of Atypical Portuguese Music, a series of volumes focussing on new strains of Portuguese music with an (un)characteristic foot in the past musical traditions of the country.

The necessary new paradigms to invent in architecture and design in the context of the environmental crises.

An anthology.

Michel Henritzi's collection of interviews provides a rich portrait of the experimental music scene in Japan.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (hardcover edition).

The reprint of an unjustly forgotten book edited by renowned historian E. P. Thompson, detailing the experience of socialist British youth volunteers working on constructing the railway from Šamac to Sarajevo in Yugoslavia in 1947.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

A landscape of Japanese playgrounds, at the intersection of architecture, urbanism, design, pedagogy and contemporary art.

A major anthology of historic and contemporary writings by over 200 contributors, providing a rigorous and expansive survey of the photographic medium from its inception to our current moment. Edited by Walead Beshty, this exceptional publication includes texts and artworks by Giorgio Agamben, Roland Barthes, Georges Didi-Huberman, Stan Douglas, Harun Farocki, Martha Rosler, Stephen Shore, Hito Steyerl, Wolfgang Tillmans, Ericka Beckman, Walter Benjamin, Walker Evans, László Moholy-Nagy, Marshall McLuhan, Alan Turing, Dan Graham, Morgan Fisher, Kelley Walker…

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

Originally resealed in 1975, Poesia Sonora is one of the first international compilation of sound poetry. Edited by Maurizio Nannucci, the anthology gathers pieces by some of the most important pioneers of the Sound Poetry movement: Bob Cobbing, François Dufrêne, Henri Chopin, Ernst Jandl, Franz Mon, Arthur Petronio, Arrigo Lora-Totino, Brion Gysin, Bernard Heidsieck, Sten Hanson, and Paul De Vree.

A compendium of essays, scripts, poems, and proposals compiled by the anonymous collective Studio for Propositional Cinema for their eponymous show at the Kestner Gesellschaft in Hannover. It investigates notions of script and staging in exhibition display. It features reknowned contributors such as Paul Chan, Keren Cytter, Irena Haiduk, John Miller, Cally Spooner, Lawrence Weiner et Christopher Williams.

Since 2009, need and care and desire and admiration have been cross-examined, called as witness, put on parole, and made the subject of caring inquiry by e-flux journal authors. These writings have now been collected to form this comprehensive volume.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

A musical anthology gathering a collection of recordings featuring traditional instruments from Asia and Oceania—from New Zealand to the Philippines, from India to Burma.