Irak

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

The cultural and political legacies of the the 1933 and 1934 Arab Exhibitions in Jerusalem.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

A comprehensive publication of Rifat Chadirji's photographic folio, which records and analyses the development of his architectural practice in Baghdad, from 1952 until the early 1980s. It provides a unique insight into a collection of photographic sheets that reflect how an architect documented his own work, and coded, organized and referenced his projects using photography.

This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists.

In this treatise, Jalal Toufic investigates the arts as the privileged site of thinking and confronts his thoughts with texts taken from the traditional religions and mystics of the past.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

The catalogue of the Iraqi Pavilion at the 56th Venice Biennale.

Second edition of Jalal Toufic's collection essays.

A trip accross the Mediterranean Sea to Irak, in 96 drawings.

First monograph dedicated to the intimate dreamscapes created in Japanese video artist's delicate animations.

A performance piece about the Abu Ghraib tortures (edition of 30 numbered copies).