Engraving

An investigation into artistic reproduction and the role of the engravers in the shadows who made prints signed by others, questioning the relationships of domination and subordination in creation.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

Special issue featuring prints deriving from carved foam. Produced in collaboration with the illustrator Valfret's workshop.

Rémy Zaugg's early work.

Au dernier voile de sable is a long erotic and learned poem which evoques the Greek mythology, written by Jean-Philippe Pernot, photographer and film maker, illustrated by the reproductions of black and white surrealistic prints which represents bodies and bones, made by the young artist Hélène Damville.

Artist's book based on Schultz eponymous work, a video project based on the German artist's sculptural installation at the Kunstverein Braunschweig, and filmed by a flying robot camera.

Edgar Degas and the rediscovery of monotyping in the 19th century.

Publication gathering an extensive selection of drawings produced by the German artist since the mid-nineties.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

Nora Schultz gathered digital associations made with Google's image search engine, and then asked nine other artists to build a series of textual and visual narratives around her results (an artists' book designed by Keren Cytter).

A retrospective of Stéphanie Nava's drawings in five exhibitions (with an essay by Marie de Brugerolle).

Marc Brunier-Mestas' engravings portray a dark universe where death lurks on each scenes. Skeletons lead a macabre dance in a gloomy yet erotic and sometimes jocular atmosphere.

Catalogue / artist's book.

Reference monograph.

Reference monograph, with an original engraving, numbered and signed.

Monograph / artist's book dedicated to Davide Balula's "Burnt Paintings".

After he transformed the whole nave of the CAPC Museum into a mechanical theatre, Markus Schinwald conceives an elegant and sophisticated artist's book that reflects this physical and mental adventure through preparatory prints, film dialogues, and a series of stickers alternating exhibition views and reproduction of works.

First and extensive monograph dedicated to the drawings of an artist hitherto primarily distinguished as an artist of the book, a typographer and a etcher, revealing the many aspects and the autonomy of the practice of drawing, as well as its role and importance in Johannes Strugalla's artist's books and whole production.

Retrospective monograph: a complete overview of the visual and sound works by Rainier Lericolais.

Produced during the 1970's & 1980's, this series of linocuts by Roland Topor consists on a variation on sex and death. The hardness of the line gives the illustrations an apparent solemnity softened by their amusing titles.

Blexbolex has partnered with German artist Stefanie Schilling for the making of 47 papier mâché masks representing monsters, skulls, demons and animals... A colorful procession of resurrected souls on a Mexican day of the Dead.

Three studies on Reverdin's biography.

Limited edition, accompanied by a numbered and signed etching, printed by Niels Borch Jensen in Copenhagen.

Baselitz returns on his own history and on his conception of the painting, on self-portraits, inversed paintings, his reference artists, German painting...

The first-ever comprehensive publication dedicated to the prints of Richard Tuttle (retrospective monograph).

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

Chronological catalogue with 100 major works and an essay by Bernadette Walter.