Iran

First monograph.

Retrospective monograph.

New monograph.

The first monographic overview publication of the work of Iranian artist Farkhondeh Shahroudi.

First monograph of the Franco-Iranian artist.

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

The first comprehensive monograph of the art and life of Iranian American artist of Armenian descent Sonia Balassanian: in this deeply personal portrait, author Dr. Omar Kholeif weaves together poetry, memoir, and historical anecdote to trace the contours of Balassanian's world.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

New monograph.

An in-depth study of the elaboration of the functional architectures-sculptures of the American artist of Iranian origin Siah Armajani (1939-2020), between utopia and pragmatism, allegorizing as much the ideals as the contradictions of the American democracy before being dedicated to figures of the anarchy.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

The latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

In 2018, Italian photographer Giovanna Silva photographed the streets of Tehran and collected archival documents from the infamous American embassy in the capital of the Islamic Republic. The image-based work is part of a multilayered narrative that encounters the words of architect, researcher and educator Hamed Khosravi.

A new series of photographic works by Shirana Shahbazi.

This leporello artist's book is the last iteration of an ever-mutating project by artist Tanaz Modabber. It reproduces a sixty-meter-long drawing which was also used in the past as a score, and as a referential mapping. The work also refers to the links between poetry, music, architecture, and politics in Iran.

Hallucinogenetic experiments and Persan lycanthropy.

The Seventh Issue of Zamâm magazine gathers innovative artists, curators, and art historians to investigate the relationships between the Pacific Region and the Mediterranean Basin, from Morocco to India (with Toni Maraini, Eric Baudelaire, Geeta Kapur, Touda Bouanani, Faouzi Laatiris…).

A polemical essay targeting the moral economy of indeterminacy in contemporary art.

Théo Mercier, Malika Djardi, Markus Öhrn, the online art market, Apichatpong Weerasethakul, French post-punk, being an artist in Central Asia, nudity on stage, the footballer as a modern artist, “Iran” special feature with Barbad Golshiri and Amir Reza Koohestani…

Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

The colorful and impertinent hijacking of a luxurious big size Taschen book celebrating Queen Elizabeth's jubilee.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

A photographic journey from Yugoslavia to Iran during the 1970's.

Monograph exploring the artistic and intellectual heritage of abstract painter and pioneer of the visual arts in Iran Behdjat Sadr. This richly illustrated publication offers a singular testimony, combining personal writings and press cuttings, critical texts and poetic correspondence.

The shifting and troubled relationship of artwork and audience in network culture.

Artist' book published and edited by artist Shirana Shahbazi (1974, Tehran), writer Tirdad Zolghadr (1972, San Francisco) and designer Manuel Krebs (1970, Karachi).

A compilation of highly entertaining “solutions,” where the objective is not the education of America so much as the pleasure of a text that purports to be just that.

A small book of b/w photographies and texts.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

Unpublished text with an original artwork signed by the artist.

Deriving from an eponymous audiovisual performance, this electroacoustic project by Sote (Ata Ebtekar) blends traditional music from Iran with hardcore electronics.

For two years, Laurence Rasti photographed Iranian homosexual refugees who transit through the city of Denizli in Turkey, waiting to join a host country where to live their sexuality freely. The resulting photographic series explores the sensitive concepts of identity and gender, while juxtaposing the gravity of the situation with lighter and hopeful moments.

A non-hierarchical selection of photographic works created over the past ten years by the Iranian artist (catalogue).

Two different approaches—the Eastern and Western—to Persian instrument Santur, by musicians Hossein Malek and Leo Kupper.

First monograph.

Artist's book.

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer.

The “Scenario” issue investigates narrative and speculative processes within both poetic and political fields (science fiction, geopolitics, universal and colonial exhibitions…)

On “heretical Orientalism”: the Sicilian Inquisition in the 17th century, the works of Bahman Mohassess, Marwan, the poems of Etel Adnan…

This issue explores the legacy of the mythological, religious, and scientific figures from modern Orientalism.

First monograph on the work of the Swiss artist.