Scotland

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

Persistence of Sound presents a new album from one of British sound art's most original voices.

How research-led practices in the arts can develop legal frameworks for understanding the future of digital technologies and their relationship to airspace.

The new full-length record from the duo of Glasgow-based artists Feronia Wennborg and Simon Weins, examining microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

First monograph.

Bruce McLean plays the Drawing Room Confessions.

Designed on the basis of a contemporary Baedeker, this book offers an original itinerary in the historic center of the city of Genoa. It is a city-guide that links different places and times, and that also moves from the habit of moving, investigated as a typical phenomenon of the Grand Tour—and that is the origin of the term “tourism”.

A survey of the Scottish painter's most recent body of work.

Researching the myth.

Reference monograph, with more than 100 illustrations and three essays.

Reference monograph (available in English edition).

Artist's book.

First monograph: a comprehensive look into the Scottish artist's production.

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.

The rehabilitation of the idea of the “far.”

Reference monograph.

At a time when functional independence seems to be a real possibility for Scotland—and yet no one is quite sure what that means—a delirium of visions, realistic and absurd, is necessary.