Feminism

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Art and feminism in Italy in the Seventies.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

The films of Ana Mendieta.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

The 10th issue of the art and research magazine is dedicated to Italian pedagogist Maria Montessori.

Collection of recent essays and poems in which the American poet and critic examines issues of genealogy and influence, the poverty and privilege of place, architecture's relationship to language, and feminist economies of writing, reading, and art making.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

At the crossroads of theater, performance, and poetry, this collection of texts puts forward women's voice to express their power of resistance against their condition.

Atkinson's most ambitious musical work to date, Hand In Hand combines 80's sci-fi anxious aethetics with today's transparency of digital sounds. Placing the voice at the epicenter of the recording, the French artist and musician convokes fiction, composition and abstraction in the manner of Joan La Barbara, Robert Ashley, or Delia Derbyshire.

The Force of Listening explores the role of listening in the contemporary intersection of art and activism and asks what potential for transformation it might facilitate.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma with Comme un seul narcisse—an epistolar conversation of post-modern times.

An audio recording of the American artist performing a German folk song while masturbating.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

Through archival research, this first monographic publication focuses on Ukeles's work ballets—a series of seven grand-scale collaborative performances involving workers, trucks, barges, and hundreds of tons of recyclables and steel—which took place between 1983 and 2012 in New York, Pittsburgh, Givors, Rotterdam, and Tokamachi.

First published in German in 1987, this is artist and writer Jutta Koether's meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.

A concrete / post-digital oratorio in 5 parts.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Facsimile of a book of drawings made between 1979 and 2010.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

Susan Hiller's postcard alphabet.

Symmetrical portraits of female characters and unidentified creatures cut in black paper.

Comprehensive monograph.

Twenty-three portraits (emblematic paintings from 1959 to 2006).

Reference monograph.

Reference retrospective monograph (available in English edition).

Reference retrospective monograph: a complete overview of Lynda Benglis' work and life from the late 1960s to the present day, with more than 350 illustrations, about 20 historical or commissioned essays, an interview, famous and unseen archival material, and a complete chronology.

A "picture biography".

New feminist role models.

Written texts and films, interviews, symposia, and essays by a central figure in the history of the New York avant-garde.

An anthology.

Luxurious publication mostly dedicated to Louise Bourgeois' drawings (limited edition).

Conditions, procedures, framing and circulation of art works.

A collection of interviews with artists and curators.

First book dedicated to the English artist and musician, this publication brings together material ranging from her drawings from the 1970s to her most recent works, her punk designs to her musical performances.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Reprint of Kusama's porno-artistic tabloid of 1969.

Reference monograph.

Coinciding with a travelling show that presented ten specially created environments, this book assembles the artist's extravagant works of the 60's when she organized performances, happenings and orgies in the streets of New York, as well as the environments of the 80's and 90's that distort reality to propose near-hallucinatory experiences.

Exhibition catalogue.

Cindy Sherman's first catalogue.