The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.
An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.
The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.
Without ever giving a lesson in painting, Alain Gunst lists 32 reasons for painting that, “bad” or “not so bad”, take malicious pleasure in mocking an art world.
A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory (new edition).
A retrospective of Alfredo Volpi, a key figure of Brazilian modernism, covering the central themes of his work from the 1940s to the 1970s, his most prolific period.
Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.
Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.
Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.
In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.
The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.
Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.
The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.
Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.
The Significance and Relevance of Early Modern Indian Painters to the Contemporary Indian Art, written in 1971, reevaluates the legacies of painting inherited by the artist Nilima Sheikh.
A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.
This new body of work consists of paintings featuring heart-headed figures in various emotional states and situations that sometimes teeter between the ordinary and extraordinary. From tender amorous moments to unexpected skate scenes, the work is full of the next iteration of emotive "schmoo" characters.
The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.
The culmination of a multidisciplinary project developed over ten years, where Miquel Mont blends real and fictional autobiographical elements to explore the economy of affects.
This special second-edition monograph showcases a comprehensive selection of Nicolodi's oeuvre, presenting his work in the most compelling way to date.
The series of portraits of African heads of state unveiled by Kehinde Wiley at the musée du quai Branly – Jacques Chirac in Paris, an exploratory project around the representation of power on which the painter has been working confidentially since 2012.
