Portugal

A retrospective of drawings, sculptures, installations, and performances by the Portuguese artist, with five essays.

A record-cum-publication that unfolds through sound and text by transposing and transforming the soundtrack, dialogues, and images of Salomé Lamas' film Ouro e Cinza / Gold and Ashes (2025); featuring text by Frédéric Neyrat, Isabel Pettermann, Isabel Ramos, Lucas Ferraço Nassif, Salomé Lamas. The experience is intended to be intimate and meditative as it resonates between the spoken and unspoken, between sound and silence.

A critical reflection on memory and images through a collection of rare photography books produced as part of liberation movements in the former Portuguese colonies in Africa between the 1960s and 1980s, reflecting on the importance of visual culture in anti-colonial struggles and the early years of independence, between activism and formal experimentation closely linked to armed struggles.

Artist Bruno Zhu's project on the perception of migratory phenomena and the creation of identity and nationalist narratives.

A fascinating encounter between two artists from different generations.

A fascinating encounter between two artists from different generations.

The first publication dedicated to the practice of Jonathan Uliel Saldanha, a central figure in the Portuguese art scene, both in exploratory music, performance, and visual arts.

Monograph/artist's book featuring numerous exhibition views, texts and an interview, and a series of drawings by Fernão Cruz.

A critical reflection on colonial spaces initiated by the Portuguese artist.

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020—amidst the pandemic, no less—, the duo of Carlos Godinho and Mestre André return after their "Mãe D'Água" debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss.

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

Lisbon-based travellers Jibóia return to the Discrepant label with a new offering of globetrotting psychedelia.

Continuing his fruitful relationship with Discrepant, Tiago Sousa returns with two longform pieces for organ.

An overview of the radical universe and pictorially committed Portuguese painter José Loureiro’s work.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of "Panorama".

The first major book by the Lisbon-based French artist Mattia Denisse.

For the fourth book in the In Practice series, Dyvik Kahlen architects explore the design process of the Villa Ruba, located near Utrecht.

Exhibition catalogue of filmmaker, visual artist, and writer Pedro Neves Marques's solo project "Vampires in Space" at the Portuguese Pavilion, 59th International Art Exhibition – La Biennale di Venezia 2022.

Lisbon based keyboardist João "Shela" Pereira's new strangely haunting album.

Lagoss (comprised of Tenerife based veteran producers Gonçalo F. Cardoso, Mladen Kurajica and Daniel García) and Banha da Cobra (Lisbon-based musicians Mestre André and Carlos Godinho) introduce the first volume on the "Aquapelagos" series—a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

A guided tour to Ana Jotta's most immersive project.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

Retrospective monograph.

An exploration of the work of the Portuguese artist Isabel Carvalho, between visual and writing practices, based on a project conducted around the history of the art center Le Lait, Albi.

A vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions by artists Filipa Cordeiro, Joăo Pais Filipe, Nandele, Romain Baudoin and S1m0nc3ll0.

A volume that gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced, accompanied by a vinyl compilation containing undisclosed original recordings of Portuguese fishermen's songs and contemporary compositions.

This volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of the Portuguese fishermen's culture and the rapid transformation it experienced.

Marking an important step in the discography of the Portuguese musician, Oeste A.D. is crossed by a nostalgic impulse, between a nod to the theme of the Expo 98 in Lisbon and a tribute to the best productions of Fennesz and Black Dice in the early 2000s.

A new publishing project documenting the duo's artistic trajectory with a particular emphasis on their discursive production.

Retrospective monograph.

A collective book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views.

Retrospective monograph.

A series of drawings, sculpture, and a new film, in which the artist explores the ideas of transformation and metamorphosis.

The new collection of drawings by the Portuguese artist.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

Four artist's posters.

First comprehensive monograph.

This book surveys the work made in the last few years by Portuguese artist Ana Manso.

This retrospective monograph, with a dozen previously unpublished texts and a long interview with the artist, reveals the challenges of Portuguese artist Diogo Pimentão's resolutely expanded practice of drawing, informed as much by dance as sculpture or performance.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

The graphic translation of the text at the heart of the Fatamorgana project (2016–2019), alongside a variety of related materials, including project notes and contributions. The books also provides online access to photographic, video, and sound materials, along with technical specifications for all of the project's component elements.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

This monographic volume dedicated to the work of Pedro Barateiro spans a period that dates back to 2008 and features extensive visual and written material of key projects presented in solo exhibitions, as well as other relevant installations, videos and performances.

First monograph dedicated to Musa paradisiaca, a dialogue-based project by Eduardo Guerra and Miguel Ferrão founded on temporary partnerships. This richly illustrated publication documents the variety of their works— sculpture, paintings, texts, and sounds—and includes new commissioned essays.

Taking Manoel de Oliveira's posthumous film A Visita ou Memórias e Confissões as a point of departure, this publication offers a broader questioning of the concept of the house in the filmmaker's oeuvre. Lavishly illustrated with archive material and images of his films, it includes several especially commissioned texts, together with an unpublished conversation between Oliveira and architect Álvaro Siza.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

A visual and poetic proposal that looks back on the different journeys and collaborations realized by Marco Godinho during the preparation of his installation for the Luxembourg pavilion of the Venice Biennale 2019.