Mexico

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

This first collection of texts in French by Félix Candela (1910-1997), a major figure in twentieth-century modern architecture, brings together writings and interviews published in the specialized press, as well as lectures and speeches delivered on various occasions by the Spanish-born Mexican architect and engineer between 1953 and 1994.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

Issued on LP for the first time, Atrás del Cosmos's Cold Drinks, Hot Dreams,, originally issued on cassette in 1980, is a heady and lush live set by who many consider to be the first free jazz ensemble in Mexico.

First monograph of the Mexican queer artist.

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

An extensive compilation of Abraham Cruzvillegas' drawings of apes, which he has been producing since the early beginning of his career starting in 1985 (artist's book / leporello).

Diario de Plantas presents 724 drawings made by Gabriel Orozco in Tokyo and Acapulco on 33 notebooks between November 9, 2021, and April 20, 2022 (two volumes in one slipcase).

Hybridizations presents the most recent work of the French artist ORLAN which reflects, from the aesthetics of ancient Mesoamerican cultures, on the canons of beauty, cultural exchanges, and the symbolic and material powers of native peoples in a globalized world.

A photographic tribute to the LGBTQ creative youth who is currently contributing to Mexican culture.

This 5th issue of the anthropology journal created by Mariana Castillo Deball explains and develops the issues at stake in the artist's recent research.

New monograph.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

A poetic, "necropolitical" view of sociality in Mexico.

Artist book / first comprehensive monograph.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Reference monograph, centered on some of the Belgian-born Mexican-based artist's key motifs and features: his 30-year groundbreaking video practice; the importance of strolling and walking for his artistic method; his interest in children's games which he has filmed in various countries since 1999.

Reference monograph.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

New edition of an artist's book first published in 2009, gathering essays, short stories and images (leporello ). The publication reflects the artist's long-term critical interrogations on archives, historiography and institutions.

First monograph.

This catalogue documents a research and exhibition project stemming from a fieldwork conducted by the artist on a palaeontological site in South Australia.

This autobiographical novel describes the author's esoteric quest and involvement with a shaman in the hope of saving his mother, diagnosed with terminal cancer.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

Published on the occasion of the 58th Venice Biennale and edited by Magalí Arriola, Acts of God by Pablo Vargas Lugo reflects upon faith beyond the confines of religion, and finds its traces, in different forms, in our contemporary world.

A seminal text of Contemporary Mexican poetry, inspired by the Tarahumara and peyote rituals. Included in appendix is the first manifesto of infra-realism, written by Anaya in 1975.

Catalogue of Francis Alÿs' exhibition at Beirut Art Center.

The first book by Elena Reygadas, Latin America's Best Female Chef, is more than a cookbook.

This publication is the result of a collaboration between artist Jorge Méndez Blake, curator Rodrigo Ortiz Monasterio and graphic designer Santiago da Silva. Gathered around a shared interest for Mexican poet José Juan Tablada, the three authors attempt to offer contemporary interpretations of the seminal themes in his work (orientalism, relation betwenn literature and architecture…).

This catalogue presents an overview of the duo's projects in the last years, unfolding a personal universe bringing forward nature as a space for political expression. It is structured through a conversation between the artists and Juan Canela, including diverse graphic material and several specific extrapolations written by critics and curators.

José de Jesús “Chucho” León Hernández is a part of Mexico City's nightlife. For over twenty years he has been photographing the city's vibrant music scene, the carryings-on at underground venues and gay clubs, the newcomers and leavers, rising stars and departing legends.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A collection of 11 poems printed on single sheets that can be used as page markers to interrupt whatever else you are reading. Each poem is based on descriptions of natural phenomena, to talk about everyday situations of human social behavior.

Catalogue of the second edition of Lulennial, a biennial organized in the small space of gallery Lulu, in Mexico City. The twenty-two artists invited by curators Chris Sharp and Andrew Berardini met around one subject matter: fruit.

A polyphonic work of creative resistance, this publication by sound and visual artist Israel Martínez reflects on the present state of Mexico and its regime of narco-politics through artistic works, interviews, notes, images, and collaborations with fellow writers, curators, activists and artists.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

Rodrigo Hernández's first larger publication depicts several paths around his sculpture Figure 1. Seven artists, curators, and writers, invited to collaborate on this publication, reflect on his artistic practice and on this particular work and conform the spine of this book. Accompanied by both recent and earlier works, these new texts offer the reader to look from different angles at his poetic oeuvre.

Sur #03 takes as its starting point the connections between architectural critic Esther McCoy and the city of Mexico. This edition features issues 56 and 57 of BLESS collective lookbooks.

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

A list of titles for exhibitions available free of charge from the artist (artist's book).

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

A photographic documentation of an installation work by Abraham Cruzvillegas as part of his “autoconstrucción” project referring to the concepts of incommunicability and intelligibility through the figures of Mexican composer Julián Carrillo and Günter Grass's fictional character Oskar Matzerath.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

This publication is the closing project of a series of recent initiatives around the works of American experimental composer Conlon Nancarrow, including a pirate radio station, an art journal, a museographical essay by Mario García Torres, and an exhibition.