Radio

New musical practices, modes of production and reception of culture, since the emergence of electronic music in the 1990s.

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”

The book and audio CD Water Days documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth's Lee Ranaldo inspired by the contrast between wanderlust and the desire for home.

The book and audio CD Water Days documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth's Lee Ranaldo inspired by the contrast between wanderlust and the desire for home.

An intimate journey into the personal universe of the artist through a series of daily leaps: from her New York studio in Tribeca to the numerous travels and landscapes she crossed over a whole three month period.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

An intimate journey into the personal universe of the artist through a series of daily leaps: from her New York studio in Tribeca to the numerous travels and landscapes she crossed over a whole three month period.

To Petrarca works as a sound diary with images and sounds following a structure similar to Mekas' pioneering film diaries. Originally broadcasted on French radio, this original sound piece culled from the artist' personal archives. The accompanying book expends it with personal drawings, photos and correspondence.

A poetic contemporary adaptation of the mythical figure of Helen of Troy.

Anne-James Chaton in search of the lost manuscript of Virgil's Aeneid in the city of Naples (a text and a radiophonic creation).

A project based on archiving people's memories connected to specific songs and radio broadcasts. Includes over 100 memories from around the globe, along with contributions by curators and theorists Bastien Gallet and Carmen Cebreros Urzaiz, and an audio CD of related work by the artist.

“Radio Territories” seeks to open the book on radio's historical, medial, and aesthetical status.

Including conversations with David Toop, Scanner, Brandon LaBelle, Ken Vandermark, Kaffe Matthews, Steven Connor, John Parish, Ben Watson, Simon Critchley, Andrew Morgan, Esther Leslie, Eric Roth, Andrew McGettigan, and Seth Kim-Cohen.

Project catalogue documenting radio series commissioned by Kunstradio, Vienna, 2001, containing texts, images and audio by the artists, with an introduction by Brandon LaBelle and foreword by Barbara Schroeder from Kunstradio, with an audio compilation on CD.

An album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2, bringing together five sound collages that deal with the consistency of material and its mutability.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Daniel Wilson's Radionics Radio project draws upon the fringe-science of “radionics”, with its invisible forces and psychic resonances, to spawn electroacoustic and electronic compositions employing very alternative tuning systems.

A selection of radiophonic works from 2003 to 2011, completed with a 36-page booklet and 4 essays by Bosetti himself, Gregory Whitehead and Ksenija Stefanovic.