Experimental / concrete / visual / sound poetry

An journal of critical and political poetry: Leslie Kaplan, Rothenberg, arts and critical positions, an anthology of contemporary Central American poetry, a catalog of visual poetry, a dossier on the Brazilian concrete poetry group Noigandres, new translations of William Blake by Jean-Jacques Viton...

A gallery of portraits of people listening to a work by Frédéric Acquaviva in progress, laid out like a flip book.

A study of the body of concrete poetry in the MAMCO collection.

The renunciation of art / the art of renunciation.

An experimental and phonetic poetic adventure, a literary rhizome.

The essential place of writing in the work of Josef Albers (1888-1976), one of the most important artists, painters and educators of the 20th century.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

Practices of silence, sound, and orality, between concrete poetry, performance and sound art.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

A poem written by the artist for the space of the book composed only of punctuation marks.

A collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics.

Issue dedicated to the work of Jean-François Bory.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

This poetic document is based on the archives of the personal procedure files of a military court in Algeria between 1954 and 1963. These files are exempt archives that the author, also a historian, was one of the first to consult. In line with objectivist literature, this book gives one the opportunity to read the words of French justice in Algeria.

An essay on the political dimension of Rimbaldian poetry.

The fertile exchanges between French and American poetry since 1968.

A series of photographic performances by Fabienne Létang, confined to her studio, with texts by Liliane Giraudon, Amandine André and A.C. Hello.

Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973. This limited edition, numbered from 1 to 20, contains a signed collage.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.

Julien Blaine's new collection of poetic, visual and typographic experiments.

In 2020, Julien Blaine, born in 1942, inventories (and offers) what remains in an artist's studio at the end of a lifetime of creation. Le grand dépotoir brings together essays, letters and reflections on his vast poetic enterprise since its beginnings.

Fragments of the total poetry of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance.

99 photo-poems by the Franco-Chinese poet, performer and artist, an emblematic figure of Chinese artistic and cultural resistance.

Fragments of the total poetry and photo-poems of the Franco-Chinese poet, performer and artist, an emblematic figure of the Chinese artistic and cultural resistance. The limted edition gathers the two volumes (Episode 1 and 2), numbered from 1 to 20, with an original signed artwork inserted in each of them, constituting a dyptic.

The “catalogue dé-raisonné” of all the printed matter produced by tThe independent publishing house Beau Geste Press, that federated visual poets, neo-Dadaists and international artists affiliated with the Fluxus movement from 1971 to 1976.

An anonymous and parasite book that disrupts the rules that codify publishing.

Jean-François Bory's travel diary to Japan.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

A collection of poems first published in 1972 by the French companion of the Beat Generation.

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

A collection of essays on audio archives of poetry.

Retrospective monograph.

The proceedings of a symposium dedicated to the work of French writer, playwright and poet Olivier Cadiot.

First French translation of Clemente Padìn's first poems.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

The sixth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.