Music > experimental / contemporary / electronic / electroacoustic / improvised music

The very personal New Year's greetings published by the Swiss artist in the form of zines over the last twenty years.

Ross Bolleter's latest collection of poems draws on his experience as a musician/composer especially in the field of ruined piano, and includes tributes to Thelonious Monk and other luminaries who have inspired him over a lifetime of musical and poetic creation. This new book explores the themes of childhood, eros, love, death—and football.

Six sound games to play at home or on stage, even without musical expertise! (a project by the Jeux Sonores collective, initiated in 2021 by Sébastien Roux, which brings together five people with a variety of practices and backgrounds, at the intersection of the sound arts, musical mediation and scientific research).

The sophomore effort by the German band Schatterau, as its title implies, delves into the cyclical nature of time, through 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as well as the perpetual transformation that leads to new beginnings.

Five improvisational pieces in which the instruments of Bertrand Gauguet (alto and baritone saxophones) and Jean-Luc Petit (contrabass clarinet and sopranino saxophone) swap from one track to the next, with timbres and temperaments varying according to the time of day.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

The first major catalogue on one of the most important Lettrist artists.

Lionel Marchetti offers a highly personal, artist-to-artist reading of one of Pierre Henry's landmark works, through which he attempts to grasp all the poetic issues at stake in the art of musique concrète, and to identify the specificities of the genre.

Breathtaking a cappella interpretations of the Octonaires de la Vanité du Monde by Paschal de L'Estocart (1582) and pieces from the Geneva Psalter (1562) meet the reworkings of Sylvain Chauveau.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.

A stark and contemplative tribute to composer and intellectual Alain Pierre (1948-2024) by Belgian artist Tim Onderbeke.

Russell Haswell and Florian Hecker pursue their exploration of the computer music system invented by Xenakis.

A previously unreleased theatre soundtrack made for Icelandic choreographer Margrét Sara Guðjónsdóttir, whom Peter Rehberg had a decade long collaboration with until his untimely passing in 2021. A psychological journey through the mental effects of sound on space and subsequently the mind.

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020—amidst the pandemic, no less—, the duo of Carlos Godinho and Mestre André return after their "Mãe D'Água" debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss.

Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.

On his Discrepant debut memotone aka Bristolian Will Yates collects some unreleased recordings under a most aptly titled name—Pruning—following a healthy stream of releases for such esteemed labels as Black Acre, The Trilogy Tapes or Soda Gong.

A new revelation into the deeply personal soundworld of a true voyager of both ancient, present and forthcoming times.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

Ergo Phizmiz creates a time loop with his ambient recordings made two decades before the memefication of ASMR videos.

The first album to come out of the collaboration between Jason Kahn (electronics) and Magda Mayas (piano and objects), who have been playing together regularly in concert since 2012.

2025 repress of the incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 100-page booklet.

The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.

Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.

A major reissue of Roland Kayn's cybernetic music: a 5-CD boxed set based on the original recordings from the Lydia and Roland Kayn Archive, sensibly remastered by Jim O'Rourke.

The first-ever release on vinyl of the important 2001 lowercase work "Forms of Paper" by Steve Roden. Lovingly remastered by Taylor Deupree of 12K Masters in 2024 from the original recording, this limited-edition LP features Steve Roden's artwork on the cover/packaging.

Farida Amadou & Martina Berther; Cécile Babiole; LUFF 2024; Fuji|||||||||||ta; Emmanuelle Tornero; Clément Vercelletto; Donald Miller (1958-2024); Sophie Agnel; Annick Nozati & Daunik Lazro...

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

A dialogue between two avant-garde figures, one poetic, the other musical.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.