Sound arts

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.

Berlin-based, Italian-born sound artist Andrea Taeggi introduces his debut release on Hands in the Dark records, an album showcasing six mesmerizing and rhythmically intricate electronic compositions.

Pakito Bolino; Basman Aldiwari; Phill Niblock by Kasper T. Toeplitz; Dominique Grimaud; Félix Blume; Leandro Barzabal; Dror Feiler...

A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).

First vinyl edition of Giuseppe Ielasi's archipelago of animated sound sculptures.

Unreleased tapes from the 70s and 80s.

This monograph presents the visual language inseparable from the higly influential sound project of Sam McKinlay, pioneer of the "harsh noise wall" with the multidisciplinary entity The Rita.

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

The glass as a listening device.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

Back in stock! (reprint). The first book dedicated exclusively to the female protagonists of Latin American electronic music.

An archive of sounds for interspecies communication, stemming from Renato Leotta's research on Posidonia Oceanica, an underwater plant endemic to the Mediterranean Sea.

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of "Panorama".

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

FasFari is composed of short vocal emissions that deal with a form of speech before the act of saying, sound particles that invoke meaning without ever fully unfolding it, and barely suggest a body and a biographical identity.

Musta Fior; Carla Bley; Amanda Guttiérez by Carole Rieussec & Elena Biserna; interviews with Nadia Lëna, Aude Romary and Audrey Lauro; Bruitisme festival; a survey by Michel Henritzi of three musicians and activists of DIY version 2.0 (Jo Fusiller and his Tanzprocesz label, Claire Gapenne for Accueil Froid in Amiens, and Jędrekp for the Parisian concerts Le Non_Jazz)...

The Malakow Tower of Zeche Hannover becomes a space-consuming sound installation that transforms voices from different communities in Bochum into a physically palpable listening experience.

Five pieces of musique concrète recorded in the GRM studios between 1971 and 1974 by the composer and pioneering video artist.

A double vinyl of sound poetry composed by the duo Gaël Bandelier & Gilles Furtwängler.

A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.

Australian composer and clarinetist Aviva Endean has developed an impressive capacity for creating work that merges intense control (of breath, of instrument, of composition) and a willingness to allow the music to lead. On Moths & Stars, her second solo work, she charts out a sound world that is equal parts timbre and tone, placing sounds relationship to space as a paramount focus for her pieces.

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.

A data glitch at the beginning of 2022 was the starting point for the sound art project 60 Seconds Each, as a result of a participatory artistic process initiated by Kristof Georgen: 32 tracks by 32 international artists form a 32-minute listening experience of diverse sound positions, each within minimal "expansion".

Percussion by Paris-based Japanese improviser Seijiro Murayama and field recordings by sound artist Éric La Casa, "small, simple gestures" on the threshold of the musical, a low-key presence, listening to inhabited spaces.

A multimedia book featuring transdisciplinary works by composer, audiovisual artist and performer Marko Ciciliani, that illuminate different aspects of a fictional history of the electric guitar from varying angles (including an USB-Stick with audiovisual works).

SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only / Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism.

Black Truffle label's first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti: four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world.

Double Pendulum is a selection of new material from NY-based artist/composer Nickolas Mohanna. Using a varied palette of percussive devices alongside the electric guitar and computer, hammered notes flutter into brushed cymbals to create pulsing and immersive shapes.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

A sound project by Mattin operating a radical critique of the era of social media, which proposes to free oneself from it by reappropriating its own tools.

Francisco Meirino; Mona Kareem; Peter Brötzmann; Les Arènes du vinyle by Carole Rieussec & Elena Biserna; interviews with Limpe Fuchs, Quentin Conrate, Mayuko Hino, Yuki Fuji & Wamei...

The fourth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice (with François J. Bonnet, John Giorno, David Grubbs, Lee Gamble, Sarah Hennies, Joan La Barbara, Pierre Schaeffer, Peter Szendy, Ghédalia Tazartès...).

Four works based on four performances.

A rested development is a collaborative sound and moving image work that used chance as a process to develop a sequence of autonomous elements that intersect and diverge in their unfoldings.