Art & environment / ecology

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

The use of art and architecture to develop practical solutions to economic and ecological crises.

A new and expanded edition of the reference flora, the result of 20 years of studies and floristic surveys on a multitude of urban wastelands, allowing, through 600 photographs and 800 original drawings, to recognize and name some 300 silent plants that we come across every day: a methodical herbarium of the wastelands which constitutes a true guide to biodiversity, beautiful and playful, accessible and rigorous..

Faced with the ecological peril, what can design and archarchitecture itecture do but encourage and accompany modes and ways of living that maintain a renewed relationship with nature? Based on realizations and projects, Matali Crasset and David Bihanic share the writing of this book, seeking together, between testimony and analysis, to characterize a design of matrices.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

The hypothesis of a genuine cultural logic of environmentalization, at the intersection of art, media and cultural studies as well as economic theory.

The hypothesis of a renewal of the world's habitability, questioning the links between ecofeminism and artistic practices, but also another relationship, more collaborative than separative, to the living world.

The first study devoted to the American ecological art movement.

The first in a series of publications emerging from the transoceanic platform Kal, Kal Rituals proposes queer and trans feminist ecologies, embodiments and mythmaking.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

The fifth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, is devoted to the theme of water and fluids.

Vegetal life at the forefront of philosophical thought.

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

This issue of the magazine Palais is published on the occasion of a season of exhibitions at the Palais de Tokyo entitled Reclaim the Earth:, which brings together fourteen artists who seek to develop new connections with nature, the living world and the environment.

The ecologies of experimental cinema in the Anthropocene age.

A project conceived by Julie Crenn around the interactions and interdependencies inherent to life, with ecofeminist thoughts and texts by Julie Crenn, Emmanuelle Coccia, Gilles Clément and Marie Thiann-Bo Morel.

A series of drawings created by Cornelissen after a stay in Svalbard, where he resided in 2018 at the invitation of the Arctic Center of the University of Groningen, and during which the focus of his work slowly shifted from political mythology to ecology.

The second part of the research and artistic experimentation project based on the observation of the evolution of landscapes and the consequences of climate change.

The tenth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, on the theme of the never-finished city, in the context of the large-scale crises that overwhelm us and require us to imagine a new alliance of uses and forms to allow to think that the unforeseeable is possible.

An essay on the climate crisis by Erri De Luca.

Special issue of the journal of philosophy and humanities, devoted to the multiple dimensions of emancipation.

Composed in collaboration with the Fabbula research group, this issue deals with the question of the virtual and its interweaving with the real. It begins by referring to the notion of "worlding", initiated by Donna Haraway.

This publication assembles three phases of Termite Economies, a major series of artworks produced between 2018 and 2020 by the Australian artist Nicholas Mangan.

This issue accompanies a time of profound ecological, social, and technological transition. Despite the necessity and hope for a return to a human dimension, to a relationship with the other and especially with the natural world, we see instead a push toward other dimensions: the imminent Metaverse and the rise of cryptocurrency suggest that resources have been diverted elsewhere.

A long history of Fourierism in France, Great Britain and the United States, based on the theme of cooperation.

Retrospective monograph.

Télescope intérieur narrates the creation of Inner telescope, an artwork by Eduardo Kac, realized aboard the International Space Station.

Architect Philippe Chiambaretta brings together thinkers, researchers and contemporary artists in the 5th edition of the exploration book-magazine Stream, which investigates the different forms of intelligence that must be considered, implemented and passed down to move beyond the Urbanocene.

Forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current dramatic evolution of the oceans.

Microbial oceanography as a means to better understand the conditions of life (and survival) in the Anthropocene era.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

A provocative and stimulating manifesto by Benjamin Bratton that promotes new ways of inhabiting (and artificialising) the planet, facing the environmental, economic and social crisis that radically belies the possibility of a continuation of the current globalised capitalist model.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Art, environment and climate emergency.

The twelfth volume of the Critical Spatial Practices series focuses on “Don't Follow the Wind,” the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone.

A new interpretation of the explosive frog breeding phenomenon.

After the first two issues Mineral Pornography and Vegetal Trauma, the 3rd issue of Spectre invites contemporary artists to deliver their interpretation of contemporary ruins.