Video art

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

Part visual essay, oral history and artist book, DNCB – A History of Irritation is a companion to the multi-channel installation DNCB by Oliver Husain and Kerstin Schroedinger, around the history of the chemical substance DNCB, used both in film and photo labs to process color, and as a treatment in alternative AIDS clinics.

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra (Pascal Battus, Benjamin Bondonneau, Michel Doneda, Jérôme Noetinger, Mathieu Werchowski...), and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD).

First monograph.

An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.

A major archival discovery: a stunning document of the only performance by the trio of Tony Conrad, Arnold Dreyblatt and Jim O'Rourke.

Recent video works by Turkish artist Ali Kazma.

A collection of letters (from 1957 to 1995) that the famous brothers Jonas Mekas and Adolfas Mekas sent from America to Semeniškiai village, their homeland, all addressed to the most important addressee of their lives—their mother, Elzbieta Mekienė.

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

An exploration of the shifting acoustic ecology of the Western Isles.

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

A workbook by Flatform, a "collective artist" in the field of video and media art, at the border between experimental cinema and contemporary art, conceived and curated by Giuliana Prucca.

A film by Gilles Coudert and Damien Faure about the stained glass windows made by Kimsooja for the Metz Cathedral: a dialogue between contemporary art and cultural heritage and between Eastern and Western thought.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

Publication dedicated to the Jardin aux habitant·es, a work by the artist Robert Milin produced in collaboration with volunteers for the opening of the Palais de Tokyo, a community garden that brings together, since 2002, amateur gardeners, who are members of an association.

Conceived as a monographic reader, theis publication compiles for the first time an extensive, decade-spanning collection of Kirchenbauer's seminal and profoundly perceptive essays, the scripts of her widely celebrated moving image works in conjunction with selected video stills, as well as exhibition views.

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

The first comprehensive publication documenting Israeli artist and experimental cinematographer Ran Slavin's work.

The third release on Corvo Records by sound researcher and conceptualist Stefan Römer, a soundtrack for one of his experimental films as well as a new addition to his meta project "Deconceptualize".

First monograph of the artist, poet, and filmmaker Sky Hopinka whose work embraces Native American perspectivism and reverses the primacy of representation of non-Western identities.

The catalogue of the 17th Geneva Biennial, dedicated to artists' film and video, curated by the New York-based collective DIS and Andrea Bellini.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

A visual anthology compiling the contributions of the filmmakers who are part of the Light Cone collection, a key institution for the distribution, promotion and preservation of experimental cinema in France and around the world, on the occasion of its 40th anniversary.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

An exploration of the performativity of the law within Egypt's spectral legal reality.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

The history of the contemporary art center of Metz.

An overview of the influential work of a key figure in experimental film and video.

New monograph.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

The ecologies of experimental cinema in the Anthropocene age.

A new publishing project documenting the duo's artistic trajectory with a particular emphasis on their discursive production.

An extensive and comprehensive polyphonic exploration of the work of The Otolith Group.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

The first monograph dedicated to the pivotal work of African American postmodern dancer, choreographer and video artist Blondell Cummings.