Dance

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

A reference book containing all the transcripts of Simone Forti's News Animations.

A history of dance in Lyon and in France over the last 40 years through the story of the various lives of Guy Darmet, director for 30 years of the Maison de la Danse and initiator of the first International Dance Biennale.

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

Winter Family's new album, a composition for a dance piece by Italian choreographer Paco Dècina (pipe organ, piano, voice), partially recorded in St Martin church of Maxéville, France.

A reflection on the stakes of the analysis of dance works and the education of the gaze.

The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

An essay on dancing corporality as a complex system of interacting elements.

Analyzing his own work but also the emblematic works of Brazilian artists Luiz de Abreu, Micheline Torres and Marcelo Evelin, the dancer and choreographer Volmir Cordeiro invents here, through writing, a sensitive form where creation is inextricably linked to his position as a researcher and to his view as a spectator

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

New monograph.

The history of the CCN (Centre Chorégraphique National) – Ballet de Lorraine, the first National Choreographic Center in France: a look back over fifty years of history for a choreographic revolution, by Agnès Izrine and Laurent Goumarre.

This artist’s book gathers childhood memories, some lived experiences and personal reflections on the family histories and relations, and the ways in which they interweave with geographical locations.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

This double LP forms a tribute to Pizzica, an antique music from Southern Italy, used to heal people suffering from tarantism, a mysterious disease caused by a spider. It includes field recordings of musicians-exorcists in the 1950's in Puglia, and six reworks by contemporary electronic musicians.

Erin Manning expands her research on movement politics to the concept of minor gesture.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

Thirty texts by cultural critic, auto/biographer, and lesbian icon Jill Johnston.

Celebrating the 90th anniversary of Luc Ferrari's birth, Photophonie, unpublished archives, spanning 1973-1992, is a revelatory collection of commercial, commission and secret music by the electroacoustic music pioneer.

The second volume of a diptych dedicated to the question of the memory of works in dance.

The first volume of a diptych dedicated to the question of the memory of works in dance.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

An essential book for readers engaged with film and performance, urban cultures and architecture, and Japan's experimental art and its histories.

The thirteenth issue of Initiales is dedicated to Joséphine Baker, an eminently romantic character who crossed the twentieth century and the continents and who allows us today to reconsider the notions of identity and representativeness that occupy our contemporary world.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

Three rare pieces by a composer best known for his work for the stage, dance and theater, a perfect introduction to the work of a fascinating figure of 20th century electroacoustic music.

A pioneer of time-based media.

The score composed and recorded by KTL (Stephen O'Malley & Peter Rehberg) for the dance piece ‘The Pyre', written and directed by Gisèle Vienne. A tensed composition haunted by the voice of Dennis Cooper.

This artist's book is part of a choreographic project exploring the body/object relationship. It features a photographic series which juxtaposes performers' bodies and objects, creating contradictory associations. The publication also includes two texts by Paul B. Preciado: an essay on the philosophy of movement, and a poem on sexual subjectivity, written with artificial intelligence.

Fictionalized biography of Anita Berber, the sulphurous expressionist icon, dancer, actress, and muse.

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

Learning jazz dance.

Amateur practices in contemporary dance.

Historical and aesthetic approaches of jazz dances.

A philosophical and artistic questioning on the singularity of the notion of time in contemporary dance.

During a residency at Les Laboratoires, in the Parisian suburb of Aubervilliers, choreographer Lenio Kaklea collected information from nearly 300 residents about their habits, rituals, and professions. This publication gathers these accounts in the form of written portraits.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

A series of previously unpublished lectures by American dancer Jerome Andrews, from 1968 to 1980.

A photographic account of the career of Françoise & Dominique Dupuy, French dancers and choreographers, pioneers of modern dance in France.

Accompanying the eponymous exhibition project by Sophie Bélair Clément and Marie Claire Forté, this catalogue continues a polyvocal inquiry into the idea of being called upon and tasked with giving an account of oneself.

A collective essay focusing on the intersections between contemporary dance and literature.

A fascinating reflection on the reception of butoh dance in France.