Dance

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

A lexical survey on compositional practice in contemporary dance.

Publication documenting a centuries-old choreo-musical ritual from Southern Italy, used to exorcise women of a mysterious evil caused by the bite of a spider. It gathers contributions by artists, sociologists, anthropologists, scientists, and priests, and features a large ensemble of photographs.

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

This collective publication discusses the renewed encounter between dance and performance and the institutions of global contemporary art, marking one of the most significant set of developments in the art field over the last decade.

This first volume gathers traditional music from different areas of the Indonesian archipelago, featuring music from Sulawesi, The Moluccas Islands (Spice Islands) and Central Java.

This second volume dedicated to traditional music from the Indonesian archipelago covers music from the vast island of Sumatra (West Indonesia), The Moluccas Islands and the island of Bali.

Choreographer Catherine Contour is a pioneer in the use of hypnosis within the creation process. This monograph features photographic documentation, short essays by specialists, an a small illustrated manual for artists to experiment with the hypnotic tool.

Special dance & contemporary art issue: interviews with Anne Imhof, Ligia Lewis, Alex Baczynski-Jenkins; Francesca Gavin on dance in pop culture; FKA Twigs; Merce Cunningham; a round table with Maria Hassabi, Will Rawls and Cally Spooner; Peter Halley; Loretta Fahrenholz's Two A.M.; 1970s magazine Avalanche; Spyros Staveris; a conversation with Nobuyoshi Araki and Abraham Cruzvillegas; Bjarne Melgaard; an interview with George Condo by Maurizio Cattelan; an introduction to Lou Dallas; and much more (included a fanzine by visionary designer Rick Owens).

This issue explores the interfaces between clubs, clubbing culture and creative communities.

A collection of essays that imagines the migration of cultural signs across borders, of body language as the inalienable signs we carry with us, even if they are the only luggage we are able to carry. By placing history alongside artistic mutations, Body luggage asks questions of how avant-garde forms transmit or are provoked.

French dancer and choreographer reports on various relationships to the movement in dance, relying as much on classical and contemporary performances as on concepts borrowed from philosophers, linguists and art theorists.

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

Discourses, reflections and documents on performative and choreographic arts today.

Inferno sheds a sharp light on the news of contemporary art and scenes. In this issue: Yoko Ono, Fischli & Weiss, Trajal Harrell, Jodorowsky, Cindy Sherman, Sigmar Polke, Dance in New York, Berlin special feature, Philippe Parreno, Paul McCarthy, Ai Weiwei, Castellucci's Moses und Aron, Arty Lisbon, Lyon and Istanbul's Biennials, Winter-Spring 2016 program...

Featuring: Julien Mabiala Bissila, Benjamin Dupé, Édouard Louis & Guillaume Bresson, Tunisian film societies, Marie Losier, portfolios by Florian van Roekel and Simone Holliger, Life? or Theatre? by Charlotte Salomon...

Using Jérôme Bel's Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this series of essays explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Including interviews with Jérôme Bel and with the actors of Zurich's Theater HORA.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

First of two volumes of the “Movement Building” series, dedicated to Gabriel Saloman's music for contemporary dance.

This volume brings together multidisciplinary essays dedicated to the question of how dance, both in its historical and in its contemporary manifestations, is intricately linked to conceptualisations of the political.

An analysis of the experience of spatiality in dance, through five works by Xavier Le Roy, Yvonne Rainer, Olga Mesa, Boris Charmatz, and Merce Cunningham.

Monograph / artist book by American choreographer: essays, documents, reflexions, discussions, images...

Monograph / artist book (available in English edition).

Presenting new installations and films by one of the most significant and innovative choreographers working in the area of contemporary dance today.

Written texts and films, interviews, symposia, and essays by a central figure in the history of the New York avant-garde.

An interview with French dancer and choreographer.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record (available in English edition).

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The first major study of the Japanese avant-garde collective emblematic of the post-war artistic revival, bringing together composers, visual artists, musicians, poets, critics and technicians who in the 1950s explored various forms of interdisciplinary collaboration, questioning the classical frameworks of artistic presentation, the relationships between sound and image, time and space.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.