Dance

An encounter between dance and visual arts.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

Aboard the lifeboat Ocean Viking; Jérôme Ferrari; Quebec poetry; Florentina Holzinger; Corsican cinema; investigation in the Kodak factories...

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

An homage to melliferous, unifying art of dance, as captured over the course of 10 years and across four continents.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

The far right and culture in Italy; everyday dystopia in Palestine; extraterrestrials and conspiracy; interview with Yolande Zauberman; intimacy coordinators against predatory cinema; meeting with Camila Sosa Villada...

A stunning look at Stravinski's The Rite of Spring, recreated by choreographer Dominique Brun with thirty dancers in 2013.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

This monograph presents the visual language inseparable from the higly influential sound project of Sam McKinlay, pioneer of the "harsh noise wall" with the multidisciplinary entity The Rita.

Artists in exile; Algiers, capital of politicized soccer; on the human trafficking route in Sierra Leone; the theft of Russian novels from European libraries; interviews with post-punk band Fat White Family and director Sean Price Williams; ecofeminist philosopher Émilie Hache on possible "matriarchies"; Kim Noble; Taysir Batniji; Wonwoo Kim...

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Feuilles (Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

Conversations about embodied strategies of knowledge production and knowledge transmission based on the choreographic and curatorial practices of about fifteen international choreographers, performers, dramaturges and curators.

A book of poetic texts by the performance artist, choreographer, musician and writer.

Dancer and playwright Esther Meunier Corfdyr ventures into sleeping territories.

Ireland-Palestine united against apartheid; "dark romances": the problematic new publishing business; the breakdown of French cultural diplomacy in the Sahel; infiltration into armed survivalism; reportage in the dormitory town of Kiev; Alice Rohrwacher; Carolina Bianchi; Ben Rivers ; Taiyo Onorato & Nico Krebs, Hugo Pernet...

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

Eileen Myles, motherhood and an artistic career, Kelly Reichardt, Pierre Creton, Julien Gosselin's sermon on the fall of Vienna, squatting on algorithmic video surveillance in Rotterdam...

A musical work born of residencies for two musicians and a dancer in three natural parks in France, tuned to these three geographies as open-air studios, in dialogue with the mineral, plant and animal environment.

In Perpetual Slavery, Ciarán Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labor haunted and structured by the historical experience of slavery.

A sound piece by choreographer and performer Mette Edvardsen in collaboration with her daughter, Iben, based on the performance of the same name.

ASMR's low masses, the Russian punk scene's exile in Belgrade, Harry Gruyaert, insurrection and literature in Turin's prisons, Susanne Kennedy, Nicolás Pereda, a sociological analysis of police violence by Paul Rocher...

A re-examination of Yvonne Rainer's Parts of Some Sextets, a radical performance and pivotal piece in the American choreographer's career, which led her to theorize her conception of dance in the 1960s, before being revived in 2019.

Photographer Adrienne Raquel explores the intensity and escapism of the nightclub experience, documenting the power of the performers at Houston's famed Club Onyx.

Zone to Defend in Germany, the opera in Odessa, investigation on the lost trilogy of Abdellatif Kechiche, the end of dancers' careers, the artists in the ready-to-wear, interviews with Mariana Enríquez, Tiphaine Raffier, Bertrand Bonello, Fatima Ouassak, Núria Güell...

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world.

Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

The French choreographer looks back on his career in a very personal text, both playful and poetic.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

An artist's edition based on the eponymous project of dancer and choreographer Alix Eynaudi, a choreographic social experiment between the everyday and the event, which makes performance, writing and audience participation coexist.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

Unpublished and outstanding archival recordings by electroacoustic music pioneer Luc Ferrari: a piece in three acts composed in 1989 for contemporary dance, choreographed by Anne-Marie Reynaud.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

The multiple faces of popular dances in contemporary choreographic creation.

New monograph.

A reflection on the aesthetic stakes of baroque dance, resituated in the vast field of contemporary dance.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

Bringing together contributions from North America, France and Italy, texts by dancers and texts by historians, anthropologists and philosophers of dance, this book offers a contemporary look at Contact Improvisation, the dance form created by Steve Paxton (1939-2024) in 1972 and which is celebrating its 50th anniversary.

The first monograph dedicated to the pivotal work of African American postmodern dancer, choreographer and video artist Blondell Cummings.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.