Relational aesthetics / Relational art

Diario de Plantas presents 724 drawings made by Gabriel Orozco in Tokyo and Acapulco on 33 notebooks between November 9, 2021, and April 20, 2022 (two volumes in one slipcase).

New monograph.

An overview of Xavier Veilhan's recent production.

The most complete monograph devoted to the Belgian artist of Spanish origin, heir to Ensor, Broodthaers and Beuys.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A novel by Liam Gillick.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Xavier Veilhan's drawings.

First comprehensive monograph.

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

This catalogue for Philippe Parreno's first solo show in mainland China, at the Rockbund Art Museum, reveals the artworks presented in the exhibition.

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

The use of the “Other Body” in Performance art and Contemporary Art.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

The essays gathered in this volume explore interactivity in art, in a historical and interdisciplinary perspective.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

This volume documents two parallel solo shows by Angela Bulloch and Maria Zerres, framed by the notion of entropy.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

A catalogue / artist's book as puzzling and conceptually elaborate as the exhibition it accompanies.

Artist's book.

The first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič, between Conceptual art, Contextualism, institutional critique, and relational aesthetics.

A selective overview of the artist's production.

A detailed insight into Rhoades' artistic cosmos through a complete documentation on the artist's most groundbreaking project.

Retrospective of Maurizio Cattelan's exhibition at the Guggenheim New York in an extraordinary box set (photos by Pierpaolo Ferrari).

Catalogue raisonné / first monograph of a key figure in the art scene since the late 1980s, this luxurious book (designed by M/M), lavishly illustrated, documents the whole Pierre Joseph's oeuvre, from the first group shows to most recent works.

Special issue: five new projects by Maurizio Cattelan, Pierpaolo Ferrari, Federico Pepe, Luigi Presicce, and Nico Vascellari (limited edition).

A selection of Parreno's films and collaborative projects.

A contemporary dictionary of food and everyday objects symbolism through 49 stories and 49 still lifes.

Comprehensive monograph: a first inventory of Philippe Parreno's work since the end of the 1980s.

Reference monograph on the French artist.

Nicolas Bourriaud's most recent essay: a radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

Liam Gillick's project for the German Pavilion at the Venice Biennale 2009.

A documentary conceived by the artist from the starting point of a former exhibition whose lightning system is made to flicker at a frequency of 7.8 hz. A compilation of dark-pop music from the eighties and the nineties emphazises the artist's capture of the flashing apparatus.

Reference monograph designed by the English artist, focusing on the projects of the last five years, with a new theoretical framework and full description of numerous projects.

First monograph on German artist.

A documentary on Xavier Veilhan: 256 days of the life of a contemporary artist in his environment — emotional, relational, and professional.

This publication reunites a selection of critical writings for the most part printed in magazines or exhibition catalogues: a reinterpretation of Conceptual and Minimal art, as much as a testimony of the 90's art scene.

Catalogue of two exhibitions: a thousand electric light-bulbs arranged in a grid on a flat aluminium support form the analoge frame that produces low-resolution video images.

A small publication designed by the artist, documenting the ten large-scale "interventions" made specifically for the campus of the Museum deSingel.