Collaborations / collectives

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

A dialogue of the drums.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

A travel diary / a screenplay.

Archival and live recordings from Australia's premiere prepared acoustic improvising trio.

A panoptic cinema.

A collective reflection on cooperative and co-creation artistic practices engaged in the social field.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

Concert by the improviser quartet recorded in public on September 22, 2018 at the Romanesque church in Vézac (France).

An architectural exploration of haunted locations in Singapore.

The score composed and recorded by KTL (Stephen O'Malley & Peter Rehberg) for the dance piece ‘The Pyre', written and directed by Gisèle Vienne. A tensed composition haunted by the voice of Dennis Cooper.

A selection of about 2.000 mail art works on paper (drawings, collages…) created between 1991-1994 by the artists' trio. They would mail each other pictures, repeatedly overpainting and adding to them until they comprised several layers. Each book cover is unique, individually designed by Eric Schumacher and Andrea Clavadetscher.

All for All! is a trip through All! (2012-2017), a project conceived by Kinkaleri and instigated by the voracious attacks on language committed by William Seward Burroughs. It intentionally strays beyond the limits of theatre and dance, suggesting an outside and setting the possible into motion along an undecidable boundary between the body and language.

This catalogue presents an overview of the duo's projects in the last years, unfolding a personal universe bringing forward nature as a space for political expression. It is structured through a conversation between the artists and Juan Canela, including diverse graphic material and several specific extrapolations written by critics and curators.

Artists Gast Bouschet & Nadine Hilbert, and Laura Mannelli, collaborate on a selection of works that explore the concept of worlds within worlds based on Dante Alighieri's opus. These visual narratives are complemented by texts from writers Benjamin Bianciotto, Agnès de Cayeux, Peter Gray, Didier Ottaviani and Catherine Vidal.

Fourth publication by the collective Suspended spaces, which questions the connections between stories and territories, in the former Portuguese colonies in Africa, Brazil, Portugal and France.

Reissue of the CD released on the label Chloë (USA) in 2002, recorded in July 2001 in the Paris metro station, during the last two hours of service. A reference, between site-specific improvisation and sound art.

Charlotte Birnbaum meets with Gilbert & George to discuss The Meal—a culinary performance organized in 1969 by the British duo, with David Hockney as the guest of honor. Also included here are photos and memorabilia from the singular event (the sixth publication in the On the Table series, that explore the encounter between food and art).

This monograph covers more than fifty years of creation by Art & Language, whose artists are at the origin of conceptual art. Through unpublished texts by Matthew Jesse Jackson and Art & Language, a transcript of their opera libretto Victorine, and an interview with the artist collective, this publication questions their journey, and more broadly, the relationship between contemporary art and conceptual art.

Catalogue of the quadruple major retrospective exhibition celebrating Gilbert & George's one-of-a-kind half century of creating art together: an overview of their practice, featuring a selection of historical pictures deemed by the artists themselves as the most representative of their art and life, and five new interviews by Hans Ulrich Obrist and Daniel Birnbaum.

A Constructed World is the collective project of Geoff Lowe and Jacqueline Riva, founded in 1993. This bilingual publication brings their complete writings from 2001 to 2018. In forty plus texts A Constructed World discuss the subject matter of their work, other artists work and subjects that seemed prescient and in need of discussion at the time.

Limited edition of a recording confronting the virtuosity of two bassists: Bill Laswell's black trance track Bass Terror Tetragrammaton faces Nik Bullen's hypnotic composition Nocturnal Crawl. The two pieces answer each other strangely, like two sides of the same hidden anxiety.

Tarab is the result of live recordings captured during the group's 2017 Al-'An! Tour, which led them to Europe and Canada, and finally Beirut.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

Limited edition box set including a divinatory tarot game designed by filmmakers Silvia Maglioni and Graeme Thomson. The usual cards are replaced by a selection of 78 photograms from the history of cinema (numbered and signed copies).

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Limited edition, with an exclusive Toilet Paper puzzle.

A collection of selected images and conversations from the artist collective GCC's five-year WhatsApp archive.

Drawing on an eponymous collective art project, this publication gathers essays by pluridisciplinary writers discussing regimes of power and normalisation integrated in urban and rural landscapes.

This publication by photographer Giovanna Silva and writer Peter Fröeberg Idling retraces the history of Cambodia, creating a fictional and personal story that looks at the country through the eyes of the two authors. Today's Phnom Penh cityscape photographs take on a singular dimension in comparison to the ruins of Khmer temples, with a sense of emptiness and abandonment that resonates with the invasion of Phnom Penh by the Khmer Rouge in 1975.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

Au dernier voile de sable is a long erotic and learned poem which evoques the Greek mythology, written by Jean-Philippe Pernot, photographer and film maker, illustrated by the reproductions of black and white surrealistic prints which represents bodies and bones, made by the young artist Hélène Damville.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

Federico Lodoli and Carlo Gabriele Tribbioli went twice in Liberia to carry out a study on the war. This publication gathers their travel memoirs, interviews with Liberian warlords and a photographic reportage.

The self-titled 2nd release of the trio featuring Anthony Pateras, Scott Tinkler and Erkki Veltheim, a stochastic / carnatic free improvisation session recorded in Melbourne's Church of All Nations.