Intellectual property

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

The first systematic and exhaustive study of the company named Readymades belong to everyone® with which Philippe Thomas radically questioned the author's figure.

An unusual vantage on the history of cinematic production in the twentieth century.

Between an artist's book, an essay and a catalogue, this publication explores the notion of “installation” in the appropriation strategy developed by the now fictional artist Ludovic Chemarin©, through the conceptual figure of the Kentia palm.

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

In 2011, Damien Beguet and P. Nicolas Ledoux purchase the name of artist Ludovic Chemarin after he decided to end his career in 2005. Since then, they have been exploiting his name through exhibitions, conferences, and interviews. This monograph gives an overview of the project, gathering exhaustive documentation and essays from critics, historians, and lawyers.

Proudhon's book against rights of ownership for authors, and collection of the most significant contributions toward the original debate over literary property..

An essay on conceptual art.