Latin America

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

The meeting between the Japanese group Acid Mothers Temple and the Argentinian group Reynols, a major figure of art brut practices with its trisomic drummer-singer, Miguel Tomasin.

The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices.

This publication provides the first overview of Christiane Pooley's work to date: a landscape painter unveiling the instability of social structures, the Chilean artist has developed a universe which summons the sublime, the melancholy and the political. With texts by Marie Maertens and Laura Morrison.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

This catalogue is conceived as a continuation and circulation of Saraceno's eponymous sound project: The artist uses spider webs as musical instruments embodying the incredible structural properties of the spider's silk, but also the spider's sophisticated mode of communication through vibrations. Saraceno recorded jam sessions between arachnids and musicians, included in this publication, as well as documentation, essays, and a manifesto.

Although the short-lived Brazilian cultural movement known as Tropicália is most commonly associated with music and the visual arts, its sense of playfulness and strategies of appropriation have stimulated many of the country's filmmakers from the 1960s to the present. This richly illustrated publication features essays, interviews, and manifestos with many key filmmakers and scholars reflecting on Tropicália's influence on Brazilian cinema.

Catalogue celebrating the first European retrospective of the artist and pedagogue Beatriz González: the publication explores 50 years of plural and polymorphic work, inspired by the historical and cultural realities of Colombia. It features a rich selection of images and a critical apparatus which explores the artist's career while revealing the contemporaneity of her work.

The catalogue is the first comprehensive survey about the works and projects by the Brazilian artist and activist, spanning 1991 until 2015. It also includes unpublished artist's text by Alves, and essays by Pedro de Llano and T. J. Demos.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

This first comprehensive monograph details over ten years of work by Brazilian, New York-based artist, Valeska Soares.

Catalogue of Orozco's eponymous in-situ work at Château de Chaumont-sur-Loire: inspired by the princely apartments's old tapestries, the installation looks back at the castle's history and draws on a reflection on memory.

Cristian Vogel's best techno tracks from the '90s, entirely remastered and cut from original tapes in 2015.

Monograph / artist's book.

The first monograph of Daniel Steegmann Mangrané spanning his entire work to-date. Structured around keywords defining the artist's practice, this illustrated edition also features reprinted literary texts.

Eric Mindling, a self-defined potterologist has explored Oaxaca and its 70 plus pottery villages for more than twenty years. This experience has become Fire and Clay – The Art of Oaxacan Pottery, a panoramic vision of the past, present and future of Oaxacan pottery.

Eric Mindling, a self-defined potterologist has explored Oaxaca and its 70 plus pottery villages for more than twenty years. This experience has become Fire and Clay – The Art of Oaxacan Pottery, a panoramic vision of the past, present and future of Oaxacan pottery.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen.

The extraordinary recordings from 1978 by David Toop of Yanomami ritual songs, shamanistic ceremonies and rainforest sounds. The 40 pages booklet recounts the full story of his fascinating journey in 1978 through the Amazon jungle to meet and record the last Yanomami shamen (LP version mixed by Lawrence English).

Luis Camnitzer plays the Drawing Room Confessions.

The first in-depth survey of Duarte's practice, and the first time that a selection of his poems and texts have been translated into English.

Artist's book.

A sprawling series of buildings designed by the artist in the northern Yucatán in Mexico: a pivotal work by Jorge Pardo, his most recent and expansive Gesamtkunstwerk to date.

256 watercolours on sheets of graph paper.

An oversized artist's book (3 folded posters / 2 booklets).

An anthology of 30 dust jackets of non-existing books (contributions by Tim Etchells, Dario Gamboni, Dora García, Alejandro Jodorowsky, Jesse Lerner, Antoni Muntadas, Manuel Raeder, Eran Schaerf and Eva Meyer...).

A dialogue between two singular appropriations of the concept of cannibalism at two key historical moments: a new translation of Oswald de Andrade's cult poem, advocating the symbolic ingestion of the colonizer and his culture, faced with an analysis by Suely Rolnik of a perverted contemporary cannibalism experience in the context of financial capitalism.

This monograph documents the solo exhibition at Bielefelder Kunstverein and Kunstverein Freiburg and also focuses on Kuris' marble works since 2006.

An extraordinary book-sculpture.

These Ruins You See shifts between politics, history, heritage, and identity in an attempt to find, in the present, the vestiges of archaeological practice in Mexico.

Comprehensive monograph following the development of Alfredo Jaar's work, with texts by Georges Didi-Huberman, Jacques Rancière...

First retrospective monograph, conceived by the artist, with 1000 color reproductions and numerous texts.

This DVD features for the first time 9 films by David Lamelas, a pioneer of 70's conceptual cinema.

The most comprehensive publication on the Bresilian artist.