Asia

New monograph: a photographic documentation on the site-specific works Under the Water at the Centre Pompidou Metz and gallery Kamel Mennour, completed with visual archives covering over thirty years of practice (1979-2015), and a focus on the artist's roof installations from 1995 to 2015.

First bilingual comprehensive monograph on Wang Yuyang, these volumes delve into Wang Yuyang's practice, focusing particularly on his eponymous solo show at the Long Museum in Shanghai in 2015.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

Five immersive audiovisual works that combine digitally generated visuals by Kurokawa and sound explorations by Thanasis Kaproulias (working under the moniker Novi_sad). An impressive body of work which explores the aesthetics of data and the visual representation of economic crisis.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

Tracing the Parisian exile of Korean modernists painters Lee Ungno and Han Mook, this catalogue highlights the work and life of two artists who built an innovative work at the crossroads of Western and Eastern traditions.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

Shanghai special issue.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

Starting with the SARS outbreak that affected Hong Kong in the spring of 2003, this publication traces the different narratives, historical backgrounds as well as the implications of these events in relation to the contemporary culture and politics of Hong Kong.

Autumnal Sisters recollects seven performances by Alessandro Bosetti, in solo and teaming up with writer Kim Taeyong and video maker Orolo. It is the first extensive document of Bosetti's work with MaskMirror, a musical instrument which takes language rather than sound as it's main material.

An introduction to the work of a pioneer in media, cinema and sport criticism in Japan, whose thinking deeply marked the counter-culture movements of the 60's.

A critical and visual testimony about a cultural and artistic exchange project between the two cities of Quebec and Bangkok.

Having furnished solutions for Germany and Dubai, Ingo Niermann takes a new look at what nationhood can mean and accomplish today, finding inspiration, of all places, in North Korea.

This series of debauchery scenes between degenerative monsters and humans set in a nightmarish decorum of bloodied corpses, exposed organs, feces, secretions, and cabalistic signs constitute the new hellish visions of Kasahara.

Letters from Panduranga evokes the fate of the Vietnamese Cham community, whose territory is threatened by the construction of two nuclear power plants. Acting as an ethnologist Nguyen Trinh Thi explores the issues related to speech and history as well as new forms of colonialism.

Sport shows & jubilating fans drawn with minimalism (artist's book).

This monographic publication delivers an in-depth exploration of Moon & Jeon's collaborative project “News from Nowhere” premised on a postapocalyptic scenario: humanity has been almost entirely wiped out and is forced to reconsider long-held convictions that may no longer be tenable.

A series of short visual stories designed with refinement by Japanese artist Koyama, whose subtle's pencil stroke, narrative use of geometric forms and application to render textures contributed to build a most fascinating artist's book.

A collection of texts connecting ancient Chinese culture and contemporary art in search of a better understanding of our relationship with nature.

A touring exhibition which explores the existing and sometimes hypothetical connections that led four Chinese artists to settle down in Eighties' New York.

This publication supplements the exhibition of the same title at the MAXXI museum in Rome and contains a selection of texts, installation views and a special section focused on Huang Yong Ping's project notes, sketches and models.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

Geographer, orientalist and philosopher Augustin Berque exposes the eastern foundation of his reflection on mesology, redefining the being (and the human subject) in its relation to the environment.

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

Artist's book.

Artist's book.

A collection of ten short stories that reflect on contemporary society, politics, and the human condition.

New monograph.

New monograph (available in English edition).

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

The collaborative construction process of the “wood log tower” designed by Tadashi Kawamata in Ittingen Charterhouse, a former Carthusian monastery in Switzerland, developed with the architect Christopher Scheidegger.

Box set bringing together three books / DVDs devoted to Tadashi Kawamata's wood constructions: Scheiterturm (2014), Collective Folie (2014), and Workshop (2008).

This first monograph devoted to the work of the Japanese artist Tomoaki Suzuki approaches the artist's sculptural work in all its distinctive aspects and numerous details. These are put into perspective by two essays and an interview, at a time when urban signs are suffering from immediate ageing, marked by “whatever singularity” in the age of social networks.

A new collaborative publication, that has evolved within the framework of two geographically separate yet collaboratively conceived exhibitions.

A philosophical, historical and poetic book project based on the Central Asian Pavilion at the 55th Venice Biennale.

The collaborative construction and deconstruction process of the tower designed by Tadashi Kawamata for the Parc de la Villette in Paris.

A reflection on the problematic of temporality, from an analysis of On Kawara's practice, also revealing certain important aspects of Cesarco's working methods.

First monograph in a Western language on the subversive and radical Japanese avant-garde group Zero Jigen.

Part essay, part autobiography, the first book by Japanese filmmaker Daïchi Saïto offers a reflection on the artist's life, career and practice. With a foreword by André Habib, professor of film studies at the University of Montreal and a specialist in experimental cinema.

A series of letters written by Christodoulos Panayiotou during a stay in Japan.

Artist's book: Tadashi Kawamata compiles, like a scrapbook, photographs taken from newspaper reporting natural disasters, terrorist attacks or accidents.