Asia

The fifth issue of the critical journal Dixit, in which the words of the architects Charlotte Truwant, Dries Rodet, Fuminori Nousaku and Mio Tsuneyama confront each other, around the theme of conditions: of society, of life, of architectural practice and uses, etc.

The diary of the Korean-born artist based in France.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

An exploration of sound, space and time using found objects and flute. (new remastered version by Lawrence English of the piece recorded by Akio Suzuki in Berlin in 1994).

On "Cycle and Prayer," Indonesian experimental musician and instrument builder Wukir Suryadi expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java.

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

The first monograph on the Japanese artist of desire.

An artist's edition by Miljohn Ruperto comprising three flipbooks and an accordion-fold booklet, that examines different forms of time.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

Catalogue of a historical exibition curated by artist Anna Sew Hoy, with support from ICA LA Executive Director Anne Ellegood, Scratching at the Moon presents an intergenerational group of thirteen leading artists in the Asian American community who currently live and work in Los Angeles or have strong ties to the city.

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

Those recordings of Gongs Orchestras were made during Funeral Ceremonies in two Kung villages and one Jaraï village in Ratanakiri province, Cambodia by Laurent Jeanneau (Kink Gong) in 2003 and 2004, at a times when jungle had not been replaced by rubber plantations. Focusing on funeral's ceremonies, those hypnotics pieces are intense and haunting harmonics sonic experiments.

This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

The heavyweight trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi return with their 12th and most epic release to date, a monumental triple LP.

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

A compilation of interviews with forty-seven younger-generation Korean artists: this first-ever interview book on contemporary Korean artists in the English language offers a kaleidoscopic overview of the new and dynamic practices taking place in Seoul.

Reference monograph of the most renowned Japanese artist-poet of the 20th century in Europe and the United States, active since the 1920s, a figure of visual poetry, linked to all the European and American literary and artistic avant-gardes, with numerous illustrations.

A large-format board-book sequel to Homma's seminal photobook Tokyo Suburbia.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

First vinyl edition of the record by the master of the Thai Molam mouth organ (originally released on CD in Japan in 2018).

"Spuren & Gegenworte" began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several months, resulting in the completion of the four pieces on the CD.

This publication is based on an exhibition and research project that foregrounds an ever-incomplete weaving of narratives of artists, curators, writers, and customary knowledge holders. It traces the many worlds that have existed in parallel, often in spite of or against the oppressive visions imagined by successive regimes—the Russian Empire, the USSR, and contemporary Russia—that have controlled areas across Eastern Europe and Central and North Asia.

The portfolio of the exhibition at the Jeu de Paume: a selection of little-known or unpublished prints from two photographic collections belonging to the French Ministry of Foreign Affairs, covering China from the 1930s to the 1950s.

Percussion by Paris-based Japanese improviser Seijiro Murayama and field recordings by sound artist Éric La Casa, "small, simple gestures" on the threshold of the musical, a low-key presence, listening to inhabited spaces.

Site Sketches n°1-500 is the first volume of the catalog raisonné devoted to the Site Sketches series, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

A series of astonishing photographs by the Italian architect and designer, discovering China at the end of the Cultural Revolution, between millenary traditions, openness to the world and forced modernization.

New improvised quartet synthesizer / voice / accordion / saxophone / drums, recorded in concert in Paris then mixed / edited by Jean-Marc Foussat.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A new edition of Tiger Tateishi's incredible comics sequence.

An artist's book expanding on Tiane Doan na Champassak's iconographic research on the former king of Thailand (and amateur photographer).

Tori Kudo's ceramics.

Matching expansive ambience with environmental sound, Chihei Hatakeyama's new album continues Field Records' exploration of Japan and the Netherland's shared approach to water management.

Artist's book.

A selection of Tanaami's Picasso's series.

New monograph, devoted to Haegue Yang's "Mesmerizing Mesh" series, which dwelves into "Sacred Paper Cutting", a Korean shamanastic ritual which has inspired many of her recent projects.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

A collective project around the Vietnamese and Asian artistic diaspora, on the theme of cultural identity in the post-migration society.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.