Northern Europe / Scandinavia

A somnambulant modern masterwork, Kali Malone's 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies co-released by XKatedral and Bleak Environment.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Recipes from all over the world: an illustrated cookbook by Anna-Eva Bergman, published for the first time.

Henning Christiansen: Freedom is Around the Corner, the third issue of Blank Forms' journal, is released in conjunction with a retrospective exhibition and performance series of the same name, devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932–2008).

A guidebook to Oslo's brutalist architecture.

This publication documents Eliasson's Green light project —an artistic workshop for refugees, asylum seekers, migrants, and NGOs, whose goal is to fabricate lamps for fundraising education. It provides testimonies, stories, and memories by Green light participants, founders, and organizers, as well as essays by art historians and theorists.

Swedish artist Mamma Andersson is known for her melancholic paintings of private interiors, elegantly executed with her distinctive interplay of textures, and pictorial techniques. This new body of work stages a series of sculptures, whether as part of indoor space, or detailed in closeups.

The music of Swedish-Australian duo Native Instrument graciously mixes vocal experimentations and wildlife field recordings. Their debut release compiles four sound collages moving between tropical ambience, club inspired bug beats and amphibian trance.

Exploring the relationship between the Situationist International and the museum.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

Limited edition box set with 43 instrumental tracks recorded with an alto saxophone, a radio and an electric toothbrush by Mart Küchen. The musical pieces are accompanied by four poems written by the Swedish musician and eight plates by Austrian plastic artist Johannes Heuer.

Andrew Berardini journeys into the heart of the work of conceptual artist Danh Vo to discover how historical forces find form in our individual lives.

An audio collage based on an archive of carpentry and hardware recordings from Mads Emil Nielsen's "SoundTales" project, released on limited edition CD with three printed drawings by French, Amsterdam-based visual artist Julie Dassaud.

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes.

Artist's book.

New monograph.

A collection of texts in which a number of art historians and other professionals reflect on the artists' practice.

First monograph.

Ulf Linde summarizes his decades of investigation into the geometry of Duchamp's works.

The complex and contested entanglements of contemporary art and its commercial markets.

Concrete poems / language "drawings" (artist's book).

Monograph based on Swedish artist's project for the Nordic Pavilion at the 54th Venice Biennale.

A collection of texts, most unpublished in French.

Reference monograph (available in English edition).

What happens when you look at design as some thing more than a service-based relationship between client and designer? What new strategies and models help to question and challenge the limits of design? What outer circumstances influence this kind of practice?

The "Mnemosyne" of sexual identity.

As a Weasel Sucks Eggs examines the enigmatic relation of melancholia to an early kind of cannibalism, which psychoanalysis, in particular, stressed. It contains readings of, amongst others, Franz Kafka, Samuel Beckett, Thomas Bernhard, Sigmund Freud, G. W. F. Hegel, and the Swedish poet Gunnar Ekelöf.

A study of the concept of otherness in Edmund Husserl's phenomenology (with a special project by Olafur Eliasson).

A documentary conceived by the artist from the starting point of a former exhibition whose lightning system is made to flicker at a frequency of 7.8 hz. A compilation of dark-pop music from the eighties and the nineties emphazises the artist's capture of the flashing apparatus.

Comprehensive monograph on Icelandic artist.

Two films straddling the line between documentary and audio-visual meditations on landscape.

Five artists' books and one general catalogue document the works of Eva Koch, Joachim Koester, Peter Land, Ann Lislegaard, and Gitte Villesen.

For a reassessment of the function of art in late capitalist society (contributions by Bernadette Corporation, Will Bradley, Claude Closky, Dejanov & Heger, Liam Gillick, Lars Bang Larsen, Daniel Pflumm, Superflex...).

Haaning's project consists in a wall calendar similar in format and lay-out to the colorful ones you can buy in bookstores an shops. Instead of using popular images, it presents photographs of refugees, either alone or in small groups.

New monograph, based on Saskia Holmkvist's film Margaret (Back Translation), weaving together staged scenes, documentary elements and archival footage, exploring the recent history of Belfast through a series of tonally diverse scenes, by turns comic, elegiac and speculative.

Weekly Planner I & II by Silje Iversen Kristiansen is two individual pocket-books filled with drawings. The drawings records in a fragmented way her subjective experience of life in time and space. Each book covers the span of a year, always starting in May and ending in April. In addition to the drawings, the books contain a text by Jan Verwoert that reflects upon the subject at hand.