Sculpture

Sketchbook.

Catalogue.

Reference monograph.

The use of concrete in visual arts, from 1976 to 1987.

Catalogue documenting the eponymous installation—250 clocks and 250 hammers mounted on a wall—especially commissioned by Le Magasin in 1987. The publication includes texts by Jacques Guillot, Franz Kaizer, Dominique Gonzales-Foerster, and René Denizot.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

Reference monograph, with introductions by Marcel Joray, Giuseppe Arcidiacono, and a text by the artist.

The use of concrete in visual arts, until the late 1970s.

Reference monograph, with an introduction by Max Bächer and texts by the artist and architect.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

Reference monograph, with an introduction by Jean Clay and photographs by Pierre Joly and Vera Cardot.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record.

Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with an introduction by Giulio Carlo Argan.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by J. P. Hodin.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph, with an introduction by Friedrich Heer and the transcriton of Fritz Wotruba's personal diaries.

Reference monograph.

Reference monograph, with introductions by Pierre Peissi and Carola Giedion-Welcker, and with an original signed lithograph.

Reference monograph, with a introduction by Michel Seuphor.

Reference monograph, with a introduction by Michel Seuphor, with an original lithograph, numbered and signed.

The 1959 study that simultaneously established sculpture as a major art form in the 20th century, and established Michel Seuphor as a pioneer in art criticism, with 411 illustrations and 438 biographies of sculptors.

Reference monograph, with introductions by Herbert Read and Leslie Martin, six texts by Naum Gabo, an interview, numerous documents on the history of constructivism including the 1920 Realistic Manifesto reprint, and stereoscopic reproductions, with a pair of special glasses included in the book.

Pad enhanced silkscreen (120 numbered and signed copies limited edition).

Silkscreen (120 numbered and signed copies limited edition).

A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

Nina Canell's artistic practice does not revolve around the finished artwork; instead, it foregrounds process and synergy. This artist's book/catalogue is based on an experiential installation that considers the material vitality of calcite.

A survey of Louise Nevelson's research on collage.

Flipbook.

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

Retrospective monograph.

A journey of invention and experimentation through more than 200 pieces by international artists, observing the diversity not only of forms and decorations, but also of manufacturing processes of ceramic.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

New monograph.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

New monograph.

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” at Bergen Kunsthall and “As mist, description,” at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus's work, this catalogue provides an in-depth exploration of the artist's recent sculptural practice.

On the occasion of his carte blanche at the Palais de Tokyo (from 17 October 2018 to 6 January 2019), the artist Tomás Saraceno is the guest editor-in-chief of issue 28 of the magazine Palais.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

Specially designed box containing a series of five books conceived by the New York–based Swiss artist Ugo Rondinone, published over two years to accompany a cycle of exhibitions devoted to works inspired by the color spectrum, with the centerpiece being Vocabulary of Solitude, forty-five life-size sculptures of clowns. Limited edition of 100 copies, box set signed by the artist.

A collective photographic series focusing on the on the subject of agalmatophilia—the sexual attraction for statues.